Literary Fiction

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The Others

As the Berlin Wall teeters on the brink of collapse in 1989, three young people from different worlds find their lives unexpectedly intertwined. Armando, a factory worker from Mozambique; Lolita, a medical student from India; and Theo, an aspiring writer from East Germany, navigate love, secrets, and political uncertainty as the world around them transforms. Through their intertwined stories, Sheena Kalayil explores the often-overlooked lives of migrants and foreign workers caught between cultures, borders, and competing visions of freedom.

Rosa Mistika

Euphrase Kezilahabi

In a rural Tanzanian village, young Rosa grows up in a family where the home offers little protection from cruelty. Her father’s alcoholism and abuse cast a shadow over Rosa and her four younger sisters, while the expectations placed on girls leave them few ways to escape. When Rosa earns a place at a boarding school away from home, she hopes for a fresh start. Instead, she enters a world where sexual desire, manipulation, and unequal power complicate her search for independence. As she learns to navigate the double standards imposed on women, her attempts to gain control over her own life come at a devastating cost. First published in 1971, this groundbreaking novel challenged social and religious conventions in Tanzania, confronting domestic violence, sexual coercion, and women’s autonomy with striking directness.

Fundamentally

Nussaibah Younis

Can you save someone else when you’re still trying to save yourself? When Nadia Amin, a sharp-witted academic, loses both her lover and her mother’s approval, she escapes to Iraq to lead a UN rehabilitation programme for women affiliated with ISIS. Armed with theories about deradicalisation and an uncertain sense of purpose, Nadia soon discovers that international aid is far messier than academic research suggests. Then she meets Sara, a rebellious young Londoner who joined ISIS at fifteen. Despite their radically different experiences, the two women recognise something of themselves in each other, forming an unlikely friendship that challenges Nadia’s assumptions about guilt, faith, and redemption. When Sara reveals a devastating secret, Nadia must confront the limits of her own idealism. Darkly funny and deeply compassionate, Fundamentally explores radicalisation, cultural identity, and the complicated human need to belong.

Good Girl

In Berlin’s underground techno scene, nineteen-year-old Nila is searching for freedom, belonging, and a voice of her own. Born in Germany to Afghan refugee parents, she moves between her family’s expectations and the city’s intoxicating nightlife, trying to escape the weight of her past and imagine a different future. When she meets Marlowe, an older American writer whose fading literary fame opens the door to a world of artistic possibility, Nila becomes drawn into a relationship that challenges her independence. Meanwhile, beneath Berlin’s cosmopolitan surface, racism and unresolved historical tensions threaten the fragile worlds she inhabits. Sensual, restless, and deeply perceptive, Good Girl explores the contradictions of growing up between cultures—and the messy, liberating struggle to decide who you want to become.

Liquid

A brilliant Iranian-Indian American scholar has a PhD from UCLA, an underwhelming academic career, and a growing fear that she has failed to achieve the comfortable life her immigrant parents worked so hard to build. When her best friend jokingly suggests she marry rich, she takes the idea seriously, embarking on a summer of one hundred dates with wealthy Angelenos. Armed with spreadsheets and intellectual confidence, she approaches romance as another problem to solve. But when a family emergency takes her to Tehran, an unexpected queer attraction challenges her carefully constructed plans and forces her to reconsider what she wants from love, family, and her future. Witty, provocative, and deeply perceptive, Liquid explores the contradictions of ambition, the pressures of cultural expectations, and the search for belonging between different worlds. With sharp humour and emotional honesty, it turns the familiar romantic comedy into a thoughtful examination of identity, desire, and the lives we imagine for ourselves.

United States 2025

The Slightest Green

The Slightest Green

When Intisar Jaber receives news that her estranged father is dying, she leaves her life in Chicago behind and returns to Palestine, a land she barely remembers but has never entirely escaped. Her father, Hafez, abandoned her family decades earlier to join the resistance, only to spend the rest of his life imprisoned. Now, standing in her ancestral village, Intisar must confront the complicated legacy he left behind and the unfamiliar feeling of being a stranger in her own homeland. Meanwhile, her grandmother Sundus fights to protect the family home from those seeking to take it away. As the two women navigate grief, fractured family ties, and the enduring struggle to preserve their inheritance, Intisar faces a difficult choice between the life she has built in America and the history calling her back. The Slightest Green is a moving multigenerational novel about Palestinian identity, displacement, and the powerful connection between people and the land they call home.

Dealing with the Dead

Dealing with the Dead

Alain Mabanckou

In the Congolese coastal city of Pointe-Noire, twenty-two-year-old Liwa Ekimakingaï wakes up in a cemetery, discovering that he has been dead for three days. Dressed forever in a pair of flared purple trousers, he finds himself among the cemetery’s other residents, whose extraordinary stories reveal a world where the boundary between the living and the dead is surprisingly thin. Unable to remember exactly how he died, Liwa sets out to revisit his past and uncover the truth behind his mysterious death. His journey takes him back to his childhood, his beloved grandmother, and the events surrounding his final night. As memories and rumours begin to converge, a darker picture emerges of a society shaped by corruption, political violence, and the pursuit of wealth and power. Blending African spiritual traditions, surreal humour, and social satire, Mabanckou creates a fantastical portrait of contemporary Congolese life. Beneath its playful, ghostly premise, the novel asks who controls the stories of the dead—and whether justice remains possible after life has ended.

Congo, Democratic Republic 2025

We Computers: A Ghazal Novel

We Computers: A Ghazal Novel

Set in the late 1980s, We Computers follows Jon-Perse, a French poet and psychologist who becomes fascinated by the possibilities of computer technology. With the help of his Uzbek translator, Abdulhamid Ismail, he develops a program designed to analyze and generate poetry. Yet the machine’s literary experiments open doors to worlds far beyond its code, weaving together philosophy, history, mysticism, and human longing. Drawing on the Persian poet Hafez, Sufi literature, French surrealism, and Central Asian storytelling, Hamid Ismailov creates an unconventional novel that moves through ideas and narratives like a literary labyrinth. Inspired by the ghazal—a poetic form traditionally associated with love and longing—the book explores the boundaries between human creativity and artificial intelligence, questioning who can claim authorship and whether literature can transcend the limits of its creator. It is a playful, intellectually adventurous meditation on poetry’s ability to connect cultures and centuries.

Uzbekistan 2025

Natalja’s Stories

Natalja’s Stories

Inger Christensen

Spanning generations of women and moving between Denmark and Russia, Natalja’s Stories is an inventive, surrealist exploration of family history, migration, and the elusive nature of identity. The story begins with Marie, a young woman living in Copenhagen who leaves her home with a Russian admirer and travels to St. Petersburg. As political upheaval engulfs Russia following the Revolution, Marie dies, and her daughter, Natalja, undertakes the journey back to Denmark carrying her mother’s ashes. But Natalja’s story refuses to unfold as a conventional tale of exile and loss. Retold through the memories and imaginations of successive generations, it becomes a shifting narrative filled with mysterious encounters, murders, absurd characters, and unexpected connections. A particularly unsettling figure, Viktor Blanke, appears across the lives of three generations of mothers and daughters, blurring the boundaries between past and present, memory and invention. As the stories accumulate, identities overlap and family history becomes increasingly difficult to distinguish from fiction. Originally published in Danish in 1988 as Nataljas fortællinger, this playful, formally experimental novella challenges familiar narratives about migration and belonging. Christensen combines dark humour, surrealism, and philosophical reflection to suggest that identity is never fixed: we continually reinvent ourselves through the stories we tell about our lives.

What a Time to Be Alive

What a Time to Be Alive

What a Time to Be Alive follows twenty-one-year-old Sickan Hermansson, a young woman who arrives at Stockholm University determined to reinvent herself. After a lonely childhood in a small Swedish town, marked by social exclusion and a lack of meaningful connections, she sees university as an opportunity to experience the things she has missed: friendship, intimacy, love, and the freedom to become someone new. Just as Sickan begins to find her place among a group of friends, she meets Abbe, a charming and confident young man who seems to offer the possibility of romance and belonging. Yet navigating relationships proves more complicated than she imagined, forcing her to confront her insecurities and the compromises she is willing to make to be accepted. With sensitivity and understated humor, Jenny Mustard explores loneliness, class, sexuality, and the pressures of young womanhood. The novel captures the awkwardness and intensity of early adulthood, asking how much of ourselves we are willing to change in the pursuit of love and acceptance.

Homeseeking

Homeseeking follows Suchi and Haiwen, childhood sweethearts whose lives are transformed by the political upheavals of twentieth-century China. They first meet in Shanghai, where Haiwen’s violin draws Suchi into his world. Their young love is interrupted when Haiwen joins the Nationalist army in 1947, leaving Suchi behind with little explanation. Over the following decades, war, migration, and changing political circumstances carry them through Hong Kong, Taiwan, and the United States, shaping their lives in different ways. Sixty years later, they unexpectedly encounter one another again in Los Angeles. Chen moves between their perspectives to explore memory, sacrifice, and the meaning of home. The novel examines how historical forces can separate people while emotional attachments continue to endure across distance and time.

China Taiwan United States 2025

Guardian and a Thief

Guardian and a Thief

Set in a near-future Kolkata devastated by extreme heat and environmental crisis, A Guardian and a Thief follows two families whose lives become entangled through desperation and difficult moral choices. Ma, a mother determined to secure a future for her young daughter and elderly father, is preparing to leave India for the United States. Her plans are threatened when a young thief steals the documents her family needs to emigrate. The thief, meanwhile, is struggling to feed his own child in a city where poverty and climate catastrophe have made survival increasingly difficult. As their stories unfold over a single week, Majumdar explores the boundaries between right and wrong when people are pushed to desperate extremes. The novel examines inequality, parenthood, migration, and the moral compromises people make when protecting their families becomes a matter of survival.

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