Fiction

All countries Afghanistan Albania Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Bhutan Bosnia and Herzegovina Brazil Brunei Bulgaria Cabo Verde Canada Central African Republic Chile China Congo, Democratic Republic Croatia Cuba Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt Fiji Finland France Georgia Germany Greece Hungary Iceland India Indonesia Iran Iraq Ireland Italy Jamaica Japan Jordan Kazakhstan Kenya Kuwait Kyrgyzstan Lebanon Libya Malaysia Mexico Morocco Netherlands New Zealand Nigeria Norway Oman Pakistan Palestine Panama Peru Philippines Poland Portugal Romania Russia Saudi Arabia Senegal Singapore Slovenia Somalia South Korea Spain Sri Lanka Sudan Sweden Switzerland Syria Taiwan Tanzania Thailand Türkiye Turkmenistan Ukraine United Arab Emirates United Kingdom United States Uzbekistan Yemen Zambia

Newest first Oldest first

We are Green and Trembling

We are Green and Trembling

Gabriela Cabezón Cámara

We Are Green and Trembling reimagines the story of Antonio de Erauso, a seventeenth-century Spanish figure who escaped a convent, adopted a male identity, and travelled through colonial South America. Narrated by Antonio’s companion, the Indigenous woman Micuén, the novel follows their adventures across a world shaped by colonial violence, religious authority, and rigid gender expectations. Blending historical fiction, satire, and exuberant storytelling, Gabriela Cabezón Cámara challenges conventional ideas about gender, identity, and power while exposing the brutality of colonialism. Through its unconventional characters and vivid prose, the novel celebrates resistance, transformation, and the possibility of creating a life beyond the identities imposed by society.

Seven Empty Houses

Seven Empty Houses

Samanta Schweblin

The seven houses in these seven stories are strange. A person is missing, or a truth, or memory; some rooms are enticing, some unmoored, others empty. But in Samanta Schweblin's tense, visionary tales, something always creeps back inside: a ghost, a fight, trespassers, a list of things to do before you die, a child's first encounter with darkness or the fallibility of parents. In each story, twists and turns will unnerve and surprise: Schweblin never takes the expected path and instead digs under the skin, revealing surreal truths about our sense of home, of belonging, and of the fragility of our connections with others. This is a masterwork from one of our most brilliant modern writers.

Time of the Flies

Time of the Flies

Claudia Piñeiro

The Time of the Flies follows Inés, a woman rebuilding her life after spending fifteen years in prison for murdering her former husband’s lover. Released into a society that has changed considerably during her imprisonment, Inés struggles to understand the new social landscape, including shifting attitudes toward gender, sexuality, and women’s rights. She establishes a small fumigation business with another formerly imprisoned woman, hoping to achieve independence and leave her troubled past behind. However, an unexpected request draws her into a new mystery that threatens the fragile stability she has created. Blending crime fiction, dark humour, and social commentary, Piñeiro explores punishment, reintegration, and the difficulties women face when attempting to begin again. The novel asks whether freedom is simply the absence of prison walls or the more complicated ability to shape one’s own future.

A Little Luck

Claudia Piñeiro

A Little Luck follows Mary Lohan, a woman who returns to the Buenos Aires suburb she left twenty years earlier after a traumatic accident transformed her life. She has built a new identity far from the place where the tragedy occurred, changing not only her name but also her appearance and the way she relates to the world. Returning home forces her to confront memories she has tried to suppress and people whose lives remain connected to her past. As old secrets begin to surface, Mary must reconsider the choices that shaped her life and the guilt she has carried for decades. Piñeiro explores the fragile boundary between reinvention and denial, asking whether it is possible to escape the past or whether genuine freedom requires facing the truth about oneself.

Elena Knows

Claudia Piñeiro

Elena Knows follows Elena, an elderly woman living with Parkinson’s disease, who refuses to accept the official conclusion that her daughter Rita’s death was a suicide. Determined to discover the truth, Elena undertakes a difficult journey across Buenos Aires, relying on a promise made by a woman from her past. As her physical limitations make each step increasingly challenging, her investigation becomes a confrontation with painful memories and unresolved questions about motherhood, responsibility, and personal freedom. Piñeiro combines the structure of a crime novel with an intimate examination of women’s lives in a society shaped by religious expectations and social judgement. The story challenges assumptions about disability and autonomy while revealing how family relationships can be shaped by obligation, resentment, and love.

The Invention of Morel

The Invention of Morel

Adolfo Bioy Casares

The Invention of Morel follows a fugitive who seeks refuge on a seemingly deserted island, where he discovers a group of people behaving as though he does not exist. Among them is Faustine, a woman whose presence fascinates him, though she remains unaware of him. As he investigates the mysterious inhabitants, he uncovers a strange invention that challenges the boundaries between reality, memory, and illusion. Blending philosophical speculation with elements of science fiction and mystery, Adolfo Bioy Casares explores the human desire to overcome mortality and preserve love beyond the limits of physical existence. The novel raises unsettling questions about consciousness, the nature of reality, and the price of eternal life.

Hopscotch

Julio Cortázar

Hopscotch follows Horacio Oliveira, an Argentine intellectual living in Paris who struggles to find meaning in relationships, art, and everyday existence. His complicated relationship with La Maga, a young Uruguayan woman, forms the emotional centre of a novel that resists conventional storytelling. Cortázar offers readers different ways to navigate the chapters, allowing the narrative to unfold in alternative sequences and challenging the traditional relationship between author and audience. As Oliveira returns to Argentina, his search for understanding becomes increasingly entangled with alienation and uncertainty. The novel explores the limitations of rational thought, the instability of identity, and the desire to discover a deeper reality beneath ordinary experience. Its experimental structure reflects a central question: whether a different way of reading might lead to a different way of living.

The Aleph

Jorge Luis Borges

The Aleph is a collection of short stories that explores infinity, memory, identity, and the limits of human understanding. In the title story, a narrator discovers a point in space containing every other point in the universe, allowing him to perceive all things simultaneously without distortion or concealment. Other stories examine imaginary worlds, mysterious objects, labyrinthine histories, and the unsettling possibility that reality may be far stranger than it appears. Borges combines philosophical speculation with elements of fantasy, detective fiction, and literary scholarship, creating narratives that often feel like intellectual puzzles. His characters encounter knowledge that promises to reveal everything but frequently leaves them more uncertain than before. The collection asks whether human beings can ever comprehend the totality of existence or whether some mysteries must remain beyond the boundaries of language and reason.

The Tunnel

The Tunnel is a psychological novel narrated by Juan Pablo Castel, an Argentine painter who confesses to murdering María Iribarne. From his prison cell, he recounts the events that led to the crime, beginning with an encounter at an art exhibition. Castel becomes fascinated by María after noticing that she is the only person who understands a small but meaningful detail in one of his paintings. Convinced that they share a rare connection, Castel becomes increasingly obsessed with her. His longing to be understood gradually turns into jealousy, suspicion, and paranoia, making it impossible for him to distinguish genuine intimacy from his own fears. As his relationship with María deteriorates, he retreats further into isolation. Through its unreliable narrator and claustrophobic atmosphere, Sábato explores alienation, obsession, and the human desire to be understood. The tunnel becomes a metaphor for Castel’s isolated inner world, in which he remains trapped despite his desperate search for connection.