Fiction

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Death of the Author

Death of the Author

Death of the Author follows Zelu, a Nigerian American writer who faces professional setbacks and personal challenges after losing her academic job. Unable to find success with the literary fiction she has been writing, she turns to science fiction and creates Rustic, a novel set in a distant future where robots struggle to understand humanity after a global catastrophe. The book unexpectedly becomes a bestseller, transforming Zelu’s life while raising difficult questions about authorship, recognition, and the relationship between a writer and her work. As Zelu navigates newfound fame, family tensions, and questions about her physical disability, her fictional world unfolds alongside her own story. The novel moves between these narratives, exploring how stories shape our understanding of humanity and whose voices are permitted to imagine the future. Blending speculative fiction, literary metafiction, and social commentary, Okorafor examines disability, technology, race, creativity, and the meaning of storytelling. The novel challenges conventional ideas about literary value and asks who has the authority to tell stories—and what happens when those stories take on a life of their own.

Nearly All the Men in Lagos Are Mad

Nearly All the Men in Lagos Are Mad

In this remarkable and darkly humorous short story collection, Damilare Kuku takes us deep into the heart of modern Lagos, Nigeria’s largest city, and the lives of a collection of audacious women who cope with romantic difficulties by brilliantly turning the tables on the men who wrong them. One hardworking married woman calmly threatens sharp-edged revenge on her lazy, hypocritical husband. Another skillfully protects her own business interests by shielding her pastor-husband from allegations of cheating that may or may not be true. A group of wealthy wives deceived by their husbands join forces in a WhatsApp support group called the Virtuous Wives Guild. And a discerning dater fed up with Nigerian men makes a vow to date only oyibos before discovering that white men can act just as badly. A bestseller in Damilare Kuku’s native Nigeria, Nearly All the Men in Lagos Are Mad is a raunchy, satisfying, and outrageous example of contemporary African fiction steeped in the chaos and allure of sub-Saharan Africa’s largest city. It’s also a love letter to Nigerian women: the women in these stories may be confronted at every turn with liars, scammers, and cheaters in their quests for love, but they always figure out how to come out victorious.

Wahala

Wahala follows three Nigerian-British women—Ronke, Simi, and Boo—who have been friends since university and are navigating their thirties in London. Ronke longs for a family of her own, Simi is trying to balance her marriage with her ambitions, and Boo struggles with the demands of motherhood and a life that feels increasingly disconnected from her former self. Their carefully balanced friendship begins to unravel when Isobel, a glamorous woman with Nigerian roots, enters their lives. As Isobel becomes increasingly involved in their relationships, long-buried insecurities, secrets, and rivalries begin to surface. Blending dark humour with suspense, Nikki May’s novel explores the complexities of female friendship, cultural identity, race, class, and the expectations placed on women. Moving between British and Nigerian cultural influences, Wahala examines how the desire to belong—and the fear of being left behind—can make even the closest relationships vulnerable to manipulation and betrayal.