Fiction

All countries Afghanistan Albania Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Bhutan Bosnia and Herzegovina Brazil Brunei Bulgaria Cabo Verde Canada Central African Republic Chile China Congo, Democratic Republic Croatia Cuba Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt Fiji Finland France Georgia Germany Greece Hungary Iceland India Indonesia Iran Iraq Ireland Italy Jamaica Japan Jordan Kazakhstan Kenya Kuwait Kyrgyzstan Lebanon Libya Malaysia Mexico Morocco Netherlands New Zealand Nigeria Norway Oman Pakistan Palestine Panama Peru Philippines Poland Portugal Romania Russia Saudi Arabia Senegal Singapore Slovenia Somalia South Korea Spain Sri Lanka Sudan Sweden Switzerland Syria Taiwan Tanzania Thailand Türkiye Turkmenistan Ukraine United Arab Emirates United Kingdom United States Uzbekistan Yemen Zambia

Newest first Oldest first

We Were Forbidden

We Were Forbidden

Jacqueline Harpman

We Were Forbidden is a collection of three previously untranslated stories exploring defiance, oppression, and the struggle for personal freedom. In The Ardennes Forest, a woman and her fellow survivors wander through a mysterious woodland after an unexplained war, forbidden from leaving its boundaries or stopping their endless march. In The Outcast, a teenage girl attending a French school in 1940s Casablanca is punished for questioning the beliefs and political ideas she is expected to accept. In The Broom Cupboard, a young woman trapped in a loveless marriage begins to question the expectations governing her intimate life and imagine alternatives to her circumstances. Although the stories unfold in very different settings, each portrays a woman confronting rules imposed by external authorities or social conventions. Through unsettling scenarios, psychological insight, and understated prose, Harpman examines how obedience becomes ingrained and how individuals begin to resist it. The collection explores the tension between conformity and independence, revealing the quiet but powerful ways people challenge the boundaries placed around their lives.

Blue Bird

Maurice Maeterlinck

The Blue Bird is a philosophical fairy play that follows two children, Tyltyl and Mytyl, who embark on a magical journey in search of the mysterious Blue Bird of Happiness. Guided by a fairy, they travel through enchanted kingdoms and extraordinary landscapes, accompanied by personified versions of everyday objects and animals. Along the way, they visit the Land of Memory, the Palace of Night, and the Kingdom of the Future, encountering spirits, dreams, and visions that challenge their understanding of the world. As the children explore these fantastical places, they discover that happiness may be connected to things they have overlooked in their ordinary lives. Through its blend of fantasy, symbolism, and philosophical reflection, Maeterlinck’s play examines the nature of happiness, the power of imagination, and the relationship between life and death. Rather than presenting happiness as a distant treasure, the story suggests that its meaning often becomes clear only when people learn to appreciate what they already have.