Non-Fiction

Who gets to tell a people’s story—and what happens when the world refuses to listen? In this powerful essay, Isabella Hammad examines how narratives shape our understanding of Palestine, political violence, and the struggle for freedom. Drawing on the work of Palestinian intellectual Edward Said, she explores how literature can challenge dominant perspectives, complicate simplistic political narratives, and make space for experiences that are too often overlooked. The book brings together Hammad’s 2023 Edward W. Said Memorial Lecture at Columbia University and a subsequent afterword written in early 2024, reflecting on the war in Gaza and the urgent struggle over how it is represented. A thoughtful meditation on storytelling, power, and moral responsibility, it asks readers to reconsider not only the stories they hear, but also the voices they may have learned not to recognize.

Becoming a mother changes you in ways that are far deeper than most people ever explain. But what if this transformation were understood not simply as a life event, but as a profound biological, psychological, and social metamorphosis? In Matrescence, journalist Lucy Jones explores the extraordinary transition into motherhood, drawing parallels with adolescence. Through neuroscience, evolutionary biology, psychology, and sociology, she investigates how pregnancy, childbirth, and early motherhood reshape the brain, body, emotions, and sense of identity. Blending scientific research with her own experiences of motherhood, Jones challenges the idealised image of maternal bliss. She examines exhaustion, ambivalence, identity loss, and the immense pressures placed on mothers by a society that often undervalues caregiving while expecting women to do it all. Both deeply personal and scientifically informed, Matrescence offers a new language for understanding the transformation of becoming a parent. It asks why such a universal experience has been so overlooked—and what might change if motherhood were better understood, supported, and valued. The book was longlisted for the 2024 Women’s Prize for Non-Fiction.

Born into a prominent family in southern China, sisters Jun and Hong grow up inseparable in the 1930s, surrounded by the traditions and privileges of a world on the brink of transformation. But when the Chinese Civil War ends in 1949, fate divides them between two rival political systems. Jun settles in Taiwan, marries a Nationalist general, and builds a successful business, while Hong remains on the mainland, where her family’s political background makes her vulnerable to suspicion and persecution. Despite decades of separation and silence, both women forge remarkable lives under vastly different circumstances. Drawing on family memories and historical research, Zhuqing Li tells a deeply personal story of sisterhood, resilience, and the ways political upheaval reshapes families and identities.

How to Say Babylon is a memoir by Jamaican poet Safiya Sinclair about growing up in a strict Rastafari household, where religious beliefs shaped nearly every aspect of family life. Her father, a devoted Rastafari, raises his children according to rigid interpretations of the faith, imposing strict rules on their behaviour, education, appearance, and relationships with the outside world. For Sinclair, these restrictions become particularly difficult as she grows older and begins to question the expectations placed on women. Books and poetry gradually offer her a way to explore ideas beyond the boundaries of her upbringing. Through education and writing, she discovers the language to challenge the beliefs that have defined her childhood and to develop an independent sense of self. Yet her journey toward freedom is complicated by love for her family and the cultural traditions she does not wish simply to reject. Written in lyrical prose, the memoir explores religion, patriarchy, colonial history, and the transformative power of literature. It is a deeply personal account of finding one’s voice while negotiating the complex relationship between family, cultural inheritance, and individual freedom.

I Love Russia brings together investigative reporting and personal essays to portray a country through the lives of people often excluded from its official narrative. Journalist Elena Kostyuchenko writes about sex workers, LGBTQ+ people, residents of neglected institutions, and communities affected by violence and political repression. Her reporting also follows the consequences of Russia’s invasion of Ukraine, examining the human realities behind state propaganda and military aggression. Rather than presenting Russia as a single, uniform society, Kostyuchenko reveals its contradictions through the experiences of individuals whose stories challenge dominant political narratives. The book explores the complicated relationship between love for one’s country and the responsibility to criticise its government, presenting journalism as an act of witnessing, resistance, and moral commitment.

What Have You Left Behind? documents the experiences of ordinary Yemenis whose lives have been devastated by the country’s civil war. Writer and journalist Bushra al-Maqtari travelled across Yemen to collect testimonies from civilians affected by violence, displacement, and the destruction of their communities. Rather than focusing on political leaders or military strategy, the book gives space to individuals who have lost family members, homes, livelihoods, and any sense of security. Their accounts reveal the intimate consequences of a conflict often reduced to statistics and geopolitical analysis. By bringing together voices from different parts of the war’s divided landscape, al-Maqtari exposes the human suffering behind competing political narratives. The book explores grief, survival, and the struggle to preserve dignity amid devastation, serving as a powerful record of civilian experiences and a challenge to the international indifference that allows such suffering to continue.

Free is Lea Ypi’s memoir of growing up in Albania during the final years of communist rule and the turbulent transition that followed. As a child, Ypi believes that her country represents a just and orderly society, interpreting its rules through the limited understanding of childhood. When the communist regime collapses, she begins to discover that the official stories she learned at school concealed a far more complicated reality. Her family history also challenges her assumptions about freedom, revealing how political ideologies and historical circumstances shaped the lives of previous generations. Moving between childhood memories and adult reflection, Ypi examines the meaning of liberty, the relationship between individual choices and political systems, and the difficulty of understanding the past without simplifying it. The memoir offers a nuanced exploration of how people reconstruct their identities when the foundations of their beliefs suddenly disappear.

Cuba’s history is inseparable from that of the United States, yet the island’s story is often told through the ambitions of its powerful neighbour. Spanning more than five centuries, Ada Ferrer’s Pulitzer Prize-winning history traces Cuba from Indigenous societies and Spanish colonisation through slavery, independence struggles, revolution, and the Cold War. Bringing together the lives of enslaved people, revolutionaries, ordinary citizens, and political leaders, Ferrer reveals how Cuba shaped American politics just as American intervention transformed Cuba. Richly researched and deeply human, this sweeping account challenges familiar narratives of empire and nationhood, illuminating the complex relationship between two countries whose histories remain profoundly intertwined.

When Russia launched its full-scale invasion of Ukraine on 24 February 2022, Ukrainian novelist and journalist Andrey Kurkov began documenting the unfolding catastrophe from the perspective of someone living through it. Diary of an Invasion combines personal diary entries, reportage, and historical reflection to chronicle the months leading up to the invasion and its devastating aftermath. As Kurkov and his family seek safety in western Ukraine, he records the experiences of displaced civilians, the destruction of communities, and the extraordinary determination of people struggling to preserve their everyday lives. Beyond documenting military events, Kurkov examines the complex historical relationship between Russia and Ukraine, the significance of language and cultural identity, and the resilience of Ukrainian society in the face of aggression. His observations are interwoven with moments of dark humour, compassion, and quiet defiance. Both an eyewitness account and a reflection on national identity, the book offers an intimate portrait of a country fighting not only for its territory but also for its cultural survival.

In We Could Have Been Friends, My Father and I, Palestinian writer and human rights lawyer Raja Shehadeh reflects on his complex relationship with his father, Aziz Shehadeh, a prominent lawyer and advocate for Palestinian rights. Through personal memories, family history, and historical research, Raja reconstructs his father’s life and examines the political convictions that shaped their relationship. Aziz believed in pursuing justice through legal means and sought peaceful solutions to the Palestinian struggle, while his son developed his own understanding of resistance, identity, and belonging. Their differences often created emotional distance, leaving unspoken feelings and misunderstandings between them. Against the backdrop of British rule, the creation of Israel, and the continuing transformation of Palestinian society, Shehadeh explores how political conflict enters even the most intimate family relationships. The memoir is both a tribute to his father and an attempt to understand him more fully, asking whether shared experiences and renewed understanding can bridge the distance between generations. It offers a deeply personal meditation on family, history, reconciliation, and the possibility of connection despite profound differences.

Memories of Distant Mountains is a collection of illustrated notebooks and personal reflections by Nobel Prize-winning author Orhan Pamuk, offering an intimate glimpse into his creative and everyday life. Combining handwritten notes, sketches, paintings, and observations, Pamuk moves between memories of his childhood in Istanbul, reflections on his family, and thoughts about the places, people, and experiences that have shaped his imagination. The book reveals the relationship between writing and visual art in Pamuk’s creative process, showing how drawings and brief observations can capture moments that conventional storytelling might overlook. His notebooks also explore solitude, memory, urban life, and the passage of time, often returning to Istanbul as both a physical place and an enduring source of inspiration. Blending autobiography, travel writing, and artistic meditation, the collection offers readers access to the private world behind Pamuk’s novels. It is a reflection on how creativity emerges from paying attention to ordinary experiences and transforming fleeting impressions into lasting forms of expression.

When contemporary Irish poet Doireann Ní Ghríofa discovers the extraordinary work of eighteenth-century poet Eibhlín Dubh Ní Chonaill, she becomes captivated by the woman’s life and the grief that inspired her most famous poem. After discovering her husband’s murdered body, Eibhlín drank his blood and composed a devastating lament that would survive for centuries. Determined to recover the details of a life that history has largely erased, Ní Ghríofa embarks on a literary investigation that becomes deeply intertwined with her own experiences of pregnancy, motherhood, and domestic life. Moving between past and present, A Ghost in the Throat blends memoir, literary criticism, and historical research to explore female creativity, the silencing of women’s voices, and the intimate connections that can form between women separated by centuries. It is a lyrical meditation on grief, desire, motherhood, and the transformative power of discovering another woman’s story.