Fiction

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Red Water

One summer evening in 1989, seventeen-year-old Silva Vela disappears from a small coastal village in Dalmatia. At first, the police suspect she has run away, but as Yugoslavia begins to unravel, her disappearance becomes a mystery that will haunt two families for decades. Silva’s brother, Mate, refuses to give up searching for her, while the investigation exposes buried secrets, fractured loyalties, and the quiet transformations of a society caught between socialism, war, and capitalism. Spanning thirty years, Red Water is more than a gripping crime novel: it is a portrait of a community slowly changing beyond recognition. Against the backdrop of Croatia’s turbulent recent history, Pavičić explores how a single disappearance can reshape lives, reveal uncomfortable truths, and leave a wound that never quite heals.

Girl at War

Girl at War follows Ana Jurić, a ten-year-old girl growing up in Zagreb when the Yugoslav Wars erupt in the early 1990s. As violence spreads across Croatia, Ana’s childhood is shattered, and she experiences the devastating consequences of war, including the loss of loved ones and the destruction of her sense of security. After a traumatic journey, she eventually finds refuge in the United States, where she struggles to rebuild her life while carrying memories she cannot fully confront. Years later, Ana returns to Croatia, hoping to reconnect with her past and understand the experiences that shaped her identity. Moving between childhood and adulthood, Sara Nović explores trauma, displacement, survivor’s guilt, and the lasting psychological effects of conflict. The novel is a poignant examination of how war transforms individuals and communities, and how difficult it can be to reconcile the person one becomes with the person one once was.

The Museum of Unconditional Surrender

The Museum of Unconditional Surrender

Dubravka Ugrešić

The Museum of Unconditional Surrender explores exile, memory, and the fragmented experience of living after the breakup of Yugoslavia. Its unnamed narrator, a writer living in Berlin, moves through a world of photographs, objects, recollections, and encounters that evoke a lost homeland. Ordinary details—a family photograph, a recipe, a personal possession—become fragments through which she attempts to reconstruct a life disrupted by political upheaval and displacement. Rather than following a conventional plot, the novel unfolds as a series of reflections that mirror the instability of memory itself. Ugrešić examines how exile transforms a person’s relationship with language, history, and belonging, particularly when the country that once provided a sense of identity no longer exists in the same form. The novel portrays the difficulty of preserving a coherent self when personal memories are inseparable from a fractured collective past.