Short Stories

Every winter, in the days leading up to Christmas, Benedikt, a humble Icelandic shepherd, ventures into the mountains to rescue sheep stranded in the snow. Accompanied by his faithful dog and a stubborn old ram, he travels through a landscape of blizzards, frozen valleys and treacherous mountain passes, driven by a deep sense of responsibility toward vulnerable living creatures. His annual journey is physically demanding and potentially fatal, yet Benedikt accepts its hardships as an essential part of his life. Against the vastness and brutality of Iceland’s winter wilderness, his quiet determination becomes an extraordinary expression of compassion, humility and spiritual devotion. Blending the simplicity of a fable with vivid descriptions of the natural world, Gunnarsson creates a meditation on human endurance and the relationship between people and nature. Advent is both a portrait of an individual guided by kindness and a celebration of the profound peace that can be found in a life devoted to helping others.

My Name Is Aram is a collection of interconnected stories narrated by Aram Garoghlanian, a young Armenian American boy growing up in California’s San Joaquin Valley. Through his observations of family members, neighbours, and fellow members of the Armenian immigrant community, Aram discovers the contradictions and wonders of adult life. His relatives are often eccentric, proud, impulsive, and fiercely attached to their heritage, providing him with lessons about generosity, ambition, family loyalty, and human imperfection. Saroyan combines humour with tenderness, portraying a community attempting to preserve its cultural identity while adapting to life in a new country. The stories celebrate the ordinary experiences that shape childhood and the resilience of immigrant families, capturing how language, memory, and shared traditions help maintain a connection to ancestral roots across generations.

The Aleph is a collection of short stories that explores infinity, memory, identity, and the limits of human understanding. In the title story, a narrator discovers a point in space containing every other point in the universe, allowing him to perceive all things simultaneously without distortion or concealment. Other stories examine imaginary worlds, mysterious objects, labyrinthine histories, and the unsettling possibility that reality may be far stranger than it appears. Borges combines philosophical speculation with elements of fantasy, detective fiction, and literary scholarship, creating narratives that often feel like intellectual puzzles. His characters encounter knowledge that promises to reveal everything but frequently leaves them more uncertain than before. The collection asks whether human beings can ever comprehend the totality of existence or whether some mysteries must remain beyond the boundaries of language and reason.

Men in the Sun and Other Palestinian Stories brings together some of Ghassan Kanafani’s most powerful works of fiction, exploring the lives of Palestinians displaced by the creation of Israel in 1948 and the subsequent loss of their homes and homeland. The collection’s central novella, Men in the Sun, follows three Palestinian men of different generations who attempt to escape the poverty and desperation of refugee life by travelling illegally from Iraq to Kuwait in search of work. Entrusting their fate to a smuggler, they place their hopes in the possibility of a better future, only to confront the devastating consequences of their journey. Through stories of exile, poverty, political oppression, and shattered aspirations, Kanafani portrays the psychological and material realities of displacement. His characters struggle not only with survival but also with questions of identity, dignity, and collective responsibility. Written with stark realism and symbolic depth, the collection examines the human cost of dispossession and the longing for a place to call home. It remains a significant work of Palestinian literature, giving voice to the experiences of a people shaped by exile and resistance.

The Summer Book follows Sophia, a young girl, and her grandmother as they spend the summer together on a tiny island in the Gulf of Finland. Living in a simple cottage surrounded by rocks, forests, and the sea, they fill their days with conversations, explorations, small adventures, and moments of quiet reflection. Sophia is curious and sometimes stubborn, while her grandmother is wise, playful, and increasingly aware of her own mortality. Their relationship unfolds through a series of loosely connected episodes that capture the rhythms of island life. Through their exchanges, Tove Jansson explores childhood, ageing, grief, freedom, and humanity’s relationship with the natural world. The island becomes a place where ordinary experiences reveal deeper truths about life, while the changing sea and weather mirror the characters’ shifting emotions. Gentle, humorous, and contemplative, the novel celebrates the beauty of everyday moments and the bonds that connect generations. Beneath its simplicity lies a profound meditation on impermanence, solitude, and the comfort of being close to nature.

What happens when an ordinary letter makes you question everything you thought you knew? In the title story of Waiting for the Fear, an isolated man receives a mysterious message written in a language he cannot understand. As he struggles to decipher its meaning, suspicion gradually takes over his life, transforming his home into a place of dread and his everyday existence into an increasingly surreal nightmare. Across eight stories, Oğuz Atay introduces a cast of outsiders, misfits, and troubled souls struggling to connect with a society that seems determined to misunderstand them. A woman confronts unsettling memories after discovering her former lover’s body; lonely storytellers sell invented tales to passengers at a remote railway station; other characters find themselves trapped between their private fantasies and an indifferent world. Blending dark humour, psychological unease, absurdity, and experimental storytelling, Waiting for the Fear explores the fragile boundary between reality and imagination. Atay’s characters are haunted not only by external threats but also by their own thoughts, revealing the loneliness of people who can no longer trust the world—or themselves.

Set in the pleasure district of Meiji-era Japan, Troubled Waters (Nigorie) portrays the troubled life of Oriki, a popular courtesan at the Kikunoi establishment. Beautiful and admired by her customers, Oriki conceals a deep unhappiness rooted in poverty, social exclusion, and the limited choices available to women in her position. Her past is intertwined with Genshichi, a former customer whose obsessive devotion to her has cost him his business and left his wife and child in desperate circumstances. Although Oriki has begun seeing another wealthy patron, she remains haunted by the consequences of her earlier relationship. Through fragmented conversations and shifting perspectives, Higuchi gradually reveals the emotional burdens carried by Oriki and those around her. The story examines the destructive effects of poverty, the unequal power dynamics between men and women, and the social structures that trap individuals in seemingly inescapable circumstances. With psychological subtlety and compassion, Higuchi gives voice to people marginalized by respectable society. Troubled Waters remains a powerful portrait of female vulnerability and the human cost of a world in which economic hardship and social expectations constrain personal freedom. Publication note: The original Japanese story, Nigorie, appeared in 1895. English translations have been published under several titles, including Muddy Bay (1958) and Troubled Waters (1981). A new translation by Bryan Karetnyk is included in a 2026 collection of Higuchi’s stories published by Pushkin Press.

Taipei People is a collection of fourteen short stories portraying the lives of people who fled mainland China for Taiwan following the Chinese Civil War in 1949. Set primarily in Taipei, the stories follow former aristocrats, military officers, performers, and other displaced individuals as they struggle to adapt to a new society while remaining emotionally attached to the world they left behind. Through characters haunted by memories of lost homes, vanished social positions, and past relationships, Pai Hsien-yung explores the experience of exile and the passage of time. Formerly celebrated figures confront aging and declining fortunes, while younger characters inherit the emotional burdens of a history they barely understand. Their private struggles reflect the wider transformations of Chinese society during the twentieth century. Combining psychological depth with elegant, modernist storytelling, the collection examines nostalgia, displacement, loneliness, and the impossibility of returning to the past. Taipei becomes both a refuge and a place of alienation, inhabited by people who are physically present but remain inwardly connected to another time and place. Widely regarded as a classic of Taiwanese literature, Taipei People offers a moving portrait of lives shaped by historical upheaval and the enduring longing for home.

First published in 1989, Nostalgia is a collection of five interconnected stories by Romanian writer Mircea Cărtărescu that blur the boundaries between childhood memories, dreams, and reality. Set primarily in Bucharest, the book transforms familiar urban landscapes into mysterious, surreal worlds where ordinary experiences acquire an almost mythical significance. In The Roulette Player, a man becomes obsessed with a dangerous game of chance; in The Architect, a young man encounters an extraordinary figure whose existence challenges conventional understanding of reality. Other stories explore childhood friendships, adolescent desires, and the strange emotional intensity of growing up. Throughout the collection, Cărtărescu combines magical realism, psychological exploration, and elaborate, dreamlike imagery to examine how memory reshapes the past. Bucharest becomes more than a setting: it is a labyrinth of hidden worlds, secret passages, and impossible experiences that reflect the inner lives of its inhabitants. Both unsettling and hypnotic, Nostalgia explores the fragile boundary between imagination and reality, suggesting that the past never disappears completely but survives in the mysterious landscapes of memory and desire.

Sarajevo Blues is a collection of prose poems, fragments, and brief reflections written during the siege of Sarajevo in the Bosnian War. Combining personal observation with documentary detail, Semezdin Mehmedinović captures the daily reality of living in a city under bombardment, where ordinary activities become acts of survival and the boundaries between private life and public catastrophe begin to dissolve. Rather than presenting a conventional narrative, the book offers an intimate, fragmented account of war through images of empty streets, sudden violence, disrupted routines, and the emotional strain of uncertainty. Mehmedinović’s restrained, lyrical writing resists grand explanations, focusing instead on the human cost of conflict and the persistence of memory. Both a literary response to historical tragedy and a meditation on displacement, fear, and endurance, Sarajevo Blues gives voice to the experience of civilians whose lives are transformed by war.

Folktales of Bhutan is a collection of 38 traditional tales and legends gathered from Bhutan’s rich oral storytelling heritage. Drawing on stories she heard as a child growing up in Bumthang, central Bhutan, Kunzang Choden preserves narratives passed down through generations, offering readers a glimpse into the country’s cultural beliefs, values, and imagination. The collection features a diverse range of stories involving animals, spirits, ghosts, demons, legendary figures, and the unseen forces believed to inhabit the natural world. Shaped by Buddhist beliefs, ideas about karma and rebirth, and Bhutan’s close relationship with its mountainous environment, these tales reflect how communities have understood life’s mysteries and their place in the world. Illustrated by Bhutanese artists, the book combines traditional storytelling with distinctive visual interpretations inspired by Bhutanese and Buddhist art. Beyond entertaining readers, it serves as an important record of a cultural heritage that Choden sought to preserve as Bhutan underwent social change and modernisation.

Sarajevo Marlboro is a collection of short stories set during the Bosnian War, portraying the lives of ordinary people caught in the siege of Sarajevo. Rather than focusing on battles or political leaders, Miljenko Jergović turns his attention to the everyday experiences of civilians as familiar routines collapse under the pressure of violence, fear, and uncertainty. Through intimate portraits of neighbours, families, friends, and strangers, the stories reveal how war transforms relationships, reshapes identities, and exposes both the cruelty and compassion of human nature. Small, seemingly insignificant details—a household object, a remembered conversation, or a fleeting act of kindness—become powerful symbols of a world that is disappearing. Written with restraint, dark humour, and deep humanity, the collection offers a fragmented yet deeply personal portrait of Sarajevo and the lasting emotional consequences of conflict.