Books from Iran

Set in Tehran across three transformative decades, The Lion Women of Tehran follows Ellie and Homa, two girls from different social backgrounds who form a close friendship in the 1950s. After her father’s death, Ellie moves with her mother to a poorer neighbourhood, where she meets Homa, an outspoken and ambitious girl who dreams of becoming a judge and fighting for women’s rights. The girls share their hopes for the future, but changing circumstances eventually separate them. When they reunite years later, their friendship is tested by political upheaval, personal ambition, and a devastating betrayal. Against the backdrop of Iran’s changing political landscape, Kamali explores female friendship, social inequality, and the consequences of choices made in moments of fear and uncertainty. The novel examines how childhood relationships shape adult identities and how forgiveness can become a path towards understanding and redemption.

The Nights Are Quiet in Tehran follows an Iranian family across four decades, exploring revolution, exile, identity, and the lasting effects of political upheaval. The story begins in 1979, when Behzad, a young communist revolutionary, fights for a new political order following the fall of the Shah. He falls in love with Nahid, an equally passionate young woman, but the rise of the Islamic Republic eventually forces them to flee to West Germany. Told through four family members’ perspectives in 1979, 1989, 1999, and 2009, the novel traces their struggles to build a new life while maintaining connections to their homeland. As the children grow up between cultures, questions of belonging, memory, and inherited political convictions become increasingly complex. Their experiences culminate against the backdrop of Iran’s 2009 Green Movement, which brings the family’s past and present into renewed tension. Through its shifting voices and generations, Bazyar explores how political events shape private lives and how the meaning of home changes across generations of migration and exile.

The Milanis have everything money can buy: a sprawling Los Angeles mansion, a successful frozen-food empire, and four daughters ready for their close-up. When the wealthy Iranian American family lands a reality television deal, each sister sees an opportunity to claim the spotlight. Violet, an aspiring model, longs for love and acceptance; Roxanna, an ambitious influencer, thrives on attention; Mina, a sharp-witted overachiever, guards secrets of her own; and teenage Haylee dreams of becoming a wellness sensation. Their parents, Ali and Homa, have secrets they would rather keep hidden, too. But just as the cameras prepare to roll, political tensions, family revelations, and the COVID-19 pandemic threaten to unravel their carefully curated lives. With biting humour and unexpected tenderness, Tehrangeles satirises celebrity culture, social media, and the pursuit of the American dream while exploring the complicated realities of growing up Iranian American. Beneath the glitter and extravagance lies a story about family, identity, and the difference between being seen and being truly understood.

Martyr! follows Cyrus Shams, a young Iranian American poet struggling with addiction, grief, and questions about the meaning of life. Having grown up in the United States after his Iranian mother died when her passenger plane was shot down over the Persian Gulf, Cyrus feels disconnected from his heritage and uncertain about his place in the world. Newly sober, he becomes fascinated by martyrs throughout history, hoping to understand what makes a life meaningful and a death significant. His search leads him to investigate his family’s past, including the experiences of an uncle who comforted dying soldiers during the Iran–Iraq War. When Cyrus discovers the story of an ailing artist whose final days are being transformed into a work of art at the Brooklyn Museum, he begins to uncover unexpected connections to his own history. Blending humour, poetry, and philosophical reflection, Akbar’s novel explores cultural inheritance, addiction, faith, and the human desire to find purpose amid suffering and loss.

Before Shaherazade became the legendary storyteller who captivated a king for a thousand and one nights, she was a young woman whose words set an empire ablaze. In twelfth-century Persia, Shaherazade discovers a dangerous secret about the king’s wife, Fataneh. When she reveals the truth, the king’s fury unleashes a wave of executions, as he begins marrying and beheading a new bride each night. Haunted by the consequences of her actions, Shaherazade volunteers to become his next wife, determined to stop the bloodshed. Armed with her intelligence, political instincts, and extraordinary gift for storytelling, she begins weaving tales that keep the king listening until dawn. But survival demands more than captivating stories: as courtly intrigues intensify and the Crusades threaten the region, Shaherazade must navigate a world of shifting alliances, dangerous desires, and ruthless power. Reimagining one of literature’s most enduring legends, Every Rising Sun celebrates the power of storytelling, the resilience of women, and the courage to challenge a fate that seems inevitable.

The Last Days of Café Leila follows Noor, an Iranian-American woman who returns to Tehran with her young daughter, Lily, after years of living in the United States. She comes back to the family café, a beloved gathering place run by her father, Zod, whose cooking and hospitality have long brought people together. Although Noor hopes to find comfort and reconnect with her roots, returning home forces her to confront painful memories, unresolved family tensions, and the choices that led her to leave Iran. As Noor and her father attempt to rebuild their relationship, the café becomes a symbol of belonging, cultural memory, and the traditions that bind generations together. Through food, family stories, and the changing atmosphere of Tehran, Donia Bijan explores the complexities of immigration, identity, and the meaning of home. The novel also examines the tensions between personal freedom and cultural expectations, revealing how family bonds can endure despite distance and disappointment. Warm and reflective, it celebrates the power of shared meals and inherited traditions to reconnect people with their past.

Born in a remote Iranian village, Zal spends the first ten years of his life imprisoned in a birdcage, his mother convinced that his unusually pale appearance marks him as a demon. Rescued and brought to New York, he must learn how to live among humans while struggling to understand who he is. Inspired by an ancient Persian myth, this imaginative novel weaves Iranian folklore into contemporary American life, exploring the boundaries between belonging and alienation, myth and reality, and the difficult journey toward selfhood.

Together Tea follows Mina Rezayi, an Iranian American woman living in New York who dreams of becoming an artist but feels pressured to complete her business studies and settle down. Her mother, Darya, is determined to find her the right husband and repeatedly arranges introductions to suitable Iranian American men. Frustrated by the constant matchmaking, Mina struggles to reconcile her own ambitions with her family’s expectations. When mother and daughter travel to Iran, the journey brings them closer to the culture Darya left behind and encourages them to reconsider their relationship. As Mina encounters unexpected romantic possibilities, both women must confront the differences between their hopes and the lives they have built. Kamali explores the complexities of immigrant identity, the changing roles of women, and the tensions between generations. The novel celebrates the possibility of understanding one another without abandoning personal dreams or cultural heritage.

Set in Iran against the backdrop of the 1953 coup d’état, Women Without Men follows the interconnected lives of five women whose experiences reflect the restrictions placed on women by family, marriage, and society. Among them are Munis, a woman longing to escape her brother’s control; Faizeh, her friend who dreams of marriage; Mahdokht, a woman troubled by conventional expectations of femininity; Farrokhlaqa, a wealthy housewife seeking a different life; and Zarrinkolah, a sex worker who begins to question the world around her. Their individual journeys eventually lead them to a garden on the outskirts of Tehran, where they attempt to create a life beyond the rules that have governed them. Blending magical realism, mysticism, and historical events, Parsipur explores female autonomy, sexuality, and the search for identity. Through surreal transformations and symbolic storytelling, the novella imagines the possibility of women reclaiming their bodies, choices, and futures.

The Blind Owl is a landmark of modern Persian literature, exploring obsession, alienation, and the fragile boundary between reality and imagination. The novella follows an unnamed narrator, a reclusive artist who paints pen cases and becomes consumed by the image of a mysterious, beautiful woman. After an unsettling encounter with her, he recounts a series of disturbing events in a fragmented, dreamlike narrative that gradually dissolves into hallucination, violence, and psychological torment. Divided into two interconnected sections, the story moves between seemingly different realities, repeating images and experiences in ways that make it difficult to distinguish memory from fantasy. The narrator’s isolation deepens as he becomes trapped in cycles of obsession and despair, addressing his thoughts to a shadow resembling an owl. Through surreal imagery and an unreliable narrator, Hedayat explores loneliness, mortality, and the disintegration of identity. Dark and unsettling, the novella remains a powerful examination of the human mind and the impossibility of escaping one’s inner world.