Non-Fiction

How Dare the Sun Rise is the powerful memoir of Sandra Uwiringiyimana, who recounts her childhood as a member of the Banyamulenge, a persecuted ethnic minority in the Democratic Republic of the Congo. When Sandra was ten years old, her family was living in a refugee camp in Burundi after fleeing violence in their homeland. In 2004, the camp was attacked by armed assailants, and Sandra witnessed the deaths of her mother and six-year-old sister. She narrowly escaped with her own life. After the massacre, Sandra and her surviving family members eventually resettled in the United States, hoping to find safety and a fresh start. However, adjusting to a new country brought its own challenges, including racism, isolation, and the struggle to find a sense of belonging. Co-written with journalist Abigail Pesta, this memoir explores trauma, displacement, identity, and resilience. Through her journey from a war-torn childhood to becoming an advocate for refugees and human rights, Sandra reflects on the power of storytelling to confront injustice and reclaim one’s voice.

The Empire Must Die: Russia’s Revolutionary Collapse, 1900–1917 reconstructs the political and cultural upheavals that preceded the fall of the Russian Empire. Through the lives of writers, artists, politicians, revolutionaries, and members of the imperial family, Mikhail Zygar traces a society caught between the possibility of reform and the persistence of authoritarian power. The book explores Russia’s brief flourishing of liberal ideas, the growing dissatisfaction with the monarchy, and the pressures of the First World War that helped bring the old order to collapse. Drawing on historical research and vivid character portraits, Zygar presents the revolution not as an inevitable event but as the outcome of decisions, rivalries, and missed opportunities that transformed the country’s future.

In this memoir, Algerian revolutionary Zohra Drif recounts her experiences during Algeria’s struggle for independence from French colonial rule in the 1950s and early 1960s. A young woman studying law in Algiers, Drif joins the National Liberation Front (FLN) and becomes involved in its armed resistance alongside other women who challenge both colonial authority and traditional expectations of women’s roles in society. Through personal recollections, she describes the political tensions, underground operations, arrests, and difficult choices that shaped the independence movement. Her account also explores the place of women in revolutionary struggle and the moral complexities of political violence. Offering a firsthand perspective on one of the defining conflicts of modern Algerian history, the memoir examines the sacrifices, convictions, and contradictions involved in fighting for national liberation.

In 1985, a seemingly ordinary man walks through the streets of Moscow carrying a plastic shopping bag. Hidden in plain sight, he is Oleg Gordievsky, a senior KGB officer who has secretly been working for British intelligence for more than a decade. As one of Britain’s most valuable spies inside the Soviet Union, he has passed on critical information about Soviet intelligence operations, helping the West understand the Kremlin’s intentions during the final years of the Cold War. But Gordievsky’s double life becomes increasingly dangerous. While MI6 struggles to protect its most important source, the CIA grows suspicious and launches its own investigation to identify the mysterious British informant. Unknown to Gordievsky, the hunt for him leads to Aldrich Ames, a CIA officer secretly betraying American intelligence to the Soviets. When Gordievsky is recalled to Moscow, he faces interrogation, surveillance, and the possibility of execution. His only hope lies in an extraordinary escape plan that must unfold under the watchful eyes of the KGB. Drawing on extensive research and previously undisclosed details, Ben Macintyre reconstructs one of the Cold War’s most remarkable espionage stories. The Spy and the Traitor explores loyalty, ideological conviction, betrayal, and the extraordinary courage required to risk everything for one’s beliefs.

In Street Fighting Years, Tariq Ali recounts his transformation from a young Pakistani student into one of the most prominent radical activists of the 1960s. Moving between London, Paris, Prague, Hanoi, and other centres of political upheaval, Ali offers a personal account of a decade defined by student revolts, anti-war demonstrations, revolutionary movements, and challenges to established political authority. Through his encounters with figures such as Malcolm X, Bertrand Russell, Che Guevara, and Mick Jagger, Ali captures the energy and contradictions of a generation determined to reshape society. He reflects on the Vietnam War, the suppression of the Prague Spring, the rise of the international protest movement, and the growing opposition to Western imperialism. Blending autobiography with political history, the book explores the hopes, disagreements, and disappointments of activists who believed that collective action could transform the world. It is both a portrait of a turbulent era and a reflection on the personal costs of political commitment.

In The Ungrateful Refugee, Iranian-born writer Dina Nayeri combines her own story of displacement with the experiences of refugees and asylum seekers navigating unfamiliar countries and complicated immigration systems. At the age of eight, Nayeri fled Iran with her mother and brother after her mother converted to Christianity and faced persecution. The family spent time in a refugee camp in Italy before eventually receiving asylum in the United States. Drawing on these experiences, Nayeri examines the emotional and psychological costs of leaving one’s homeland, rebuilding a life, and trying to belong in a new society. She also shares the stories of other displaced people, revealing the difficult choices they face when seeking protection and the pressure to prove that their suffering is genuine. At the heart of the book is a challenge to the expectation that refugees must demonstrate constant gratitude to the countries that accept them. Nayeri questions the idea of the “good refugee” who assimilates without complaint, arguing that displaced people should not have to erase their identities or experiences to deserve safety and dignity.

When contemporary Irish poet Doireann Ní Ghríofa discovers the extraordinary work of eighteenth-century poet Eibhlín Dubh Ní Chonaill, she becomes captivated by the woman’s life and the grief that inspired her most famous poem. After discovering her husband’s murdered body, Eibhlín drank his blood and composed a devastating lament that would survive for centuries. Determined to recover the details of a life that history has largely erased, Ní Ghríofa embarks on a literary investigation that becomes deeply intertwined with her own experiences of pregnancy, motherhood, and domestic life. Moving between past and present, A Ghost in the Throat blends memoir, literary criticism, and historical research to explore female creativity, the silencing of women’s voices, and the intimate connections that can form between women separated by centuries. It is a lyrical meditation on grief, desire, motherhood, and the transformative power of discovering another woman’s story.

At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free. These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come. In Wayward Lives, Beautiful Experiments, Saidiya Hartman deploys both radical scholarship and profound literary intelligence to examine the transformation of intimate life that they instigated. With visionary intensity, she conjures their worlds, their dilemmas, their defiant brilliance.

Cuba’s history is inseparable from that of the United States, yet the island’s story is often told through the ambitions of its powerful neighbour. Spanning more than five centuries, Ada Ferrer’s Pulitzer Prize-winning history traces Cuba from Indigenous societies and Spanish colonisation through slavery, independence struggles, revolution, and the Cold War. Bringing together the lives of enslaved people, revolutionaries, ordinary citizens, and political leaders, Ferrer reveals how Cuba shaped American politics just as American intervention transformed Cuba. Richly researched and deeply human, this sweeping account challenges familiar narratives of empire and nationhood, illuminating the complex relationship between two countries whose histories remain profoundly intertwined.

When Russia launched its full-scale invasion of Ukraine on 24 February 2022, Ukrainian novelist and journalist Andrey Kurkov began documenting the unfolding catastrophe from the perspective of someone living through it. Diary of an Invasion combines personal diary entries, reportage, and historical reflection to chronicle the months leading up to the invasion and its devastating aftermath. As Kurkov and his family seek safety in western Ukraine, he records the experiences of displaced civilians, the destruction of communities, and the extraordinary determination of people struggling to preserve their everyday lives. Beyond documenting military events, Kurkov examines the complex historical relationship between Russia and Ukraine, the significance of language and cultural identity, and the resilience of Ukrainian society in the face of aggression. His observations are interwoven with moments of dark humour, compassion, and quiet defiance. Both an eyewitness account and a reflection on national identity, the book offers an intimate portrait of a country fighting not only for its territory but also for its cultural survival.

In We Could Have Been Friends, My Father and I, Palestinian writer and human rights lawyer Raja Shehadeh reflects on his complex relationship with his father, Aziz Shehadeh, a prominent lawyer and advocate for Palestinian rights. Through personal memories, family history, and historical research, Raja reconstructs his father’s life and examines the political convictions that shaped their relationship. Aziz believed in pursuing justice through legal means and sought peaceful solutions to the Palestinian struggle, while his son developed his own understanding of resistance, identity, and belonging. Their differences often created emotional distance, leaving unspoken feelings and misunderstandings between them. Against the backdrop of British rule, the creation of Israel, and the continuing transformation of Palestinian society, Shehadeh explores how political conflict enters even the most intimate family relationships. The memoir is both a tribute to his father and an attempt to understand him more fully, asking whether shared experiences and renewed understanding can bridge the distance between generations. It offers a deeply personal meditation on family, history, reconciliation, and the possibility of connection despite profound differences.

Memories of Distant Mountains is a collection of illustrated notebooks and personal reflections by Nobel Prize-winning author Orhan Pamuk, offering an intimate glimpse into his creative and everyday life. Combining handwritten notes, sketches, paintings, and observations, Pamuk moves between memories of his childhood in Istanbul, reflections on his family, and thoughts about the places, people, and experiences that have shaped his imagination. The book reveals the relationship between writing and visual art in Pamuk’s creative process, showing how drawings and brief observations can capture moments that conventional storytelling might overlook. His notebooks also explore solitude, memory, urban life, and the passage of time, often returning to Istanbul as both a physical place and an enduring source of inspiration. Blending autobiography, travel writing, and artistic meditation, the collection offers readers access to the private world behind Pamuk’s novels. It is a reflection on how creativity emerges from paying attention to ordinary experiences and transforming fleeting impressions into lasting forms of expression.