Books from United States

In late nineteenth-century Puerto Rico, seventeen-year-old Valentina Sánchez dreams of romance and a life beyond the expectations of her family. She marries Vicente Vega, a coffee farmer from the mountainous region of Utuado, hoping their love will bring happiness. But married life proves far more difficult than she imagined. Poverty, family tensions, and the struggle to keep their farm afloat threaten their future, while political upheaval transforms the island around them. Following the Spanish-American War and the devastating San Ciriaco hurricane of 1899, Puerto Rico comes under American rule, and the Vegas lose their livelihood. Promised prosperity, Vicente and Valentina join thousands of Puerto Ricans who migrate to Hawaii to work on sugar plantations. Instead of the fresh start they hoped for, they encounter harsh working conditions, exploitation, and broken promises. Spanning generations and continents, The Taste of Sugar traces one family’s struggle to survive amid colonial domination and economic injustice. Marisel Vera brings a neglected chapter of Puerto Rican history to life, exploring how love, family, and resilience endure when the promise of a better future comes at an extraordinary cost.

How do literature, culture, and politics shape the way we understand the world? And whose voices are missing from the stories history tells? The Selected Works of Edward Said brings together key writings from four decades of one of the most influential intellectuals of the twentieth century. Edited by Moustafa Bayoumi and Andrew Rubin, this expanded collection traces Said’s thinking across subjects ranging from colonialism and Palestinian identity to literature, music, media, and the responsibilities of intellectuals. Featuring selections from Orientalism, Culture and Imperialism, and Out of Place, alongside important essays and later writings, the collection offers an overview of Said’s evolving ideas about power, representation, and cultural identity. Essential for understanding Said’s intellectual legacy, this volume reveals how cultural narratives influence political realities—and why questioning dominant perspectives remains vital.

What if some of the world’s most celebrated literary works also reveal the hidden structures of empire? In Culture and Imperialism, Edward W. Said examines how novels, music, and other cultural works have reflected—and sometimes reinforced—the expansion of European and American power. Building on the ideas developed in Orientalism, he explores how imperial assumptions appear in literature by writers such as Jane Austen, Joseph Conrad, and Rudyard Kipling. Said also highlights the voices and resistance of people living under colonial rule, showing how culture can become a space for both domination and opposition. By connecting artistic expression with historical power, he invites readers to reconsider familiar literary classics and recognise the imperial histories that shaped them.

What if the way we see another culture tells us more about ourselves than about the people we are observing? In Orientalism, literary critic and intellectual Edward W. Said examines how Western writers, scholars, artists, and political authorities constructed an image of the “Orient”—particularly the Arab and Islamic world—as exotic, irrational, backward, and fundamentally different from the West. He argues that these representations were not simply misunderstandings or harmless stereotypes: they became intertwined with imperial power, helping Europe justify its domination of Eastern societies. Drawing on literature, history, art, and political thought, Said reveals how descriptions of other cultures can shape public opinion and influence the exercise of power. He challenges readers to question who has the authority to represent a people, whose voices are excluded, and how supposedly objective knowledge can reinforce existing hierarchies. First published in 1978, Orientalism transformed postcolonial studies and continues to influence debates about cultural representation, racism, and the relationship between knowledge and power. It invites us to reconsider not only how the East has been portrayed, but also how these inherited images continue to shape the world today.