Books from Türkiye

The Time Regulation Institute is a satirical novel about a fictional institution established to ensure that everyone in Turkey follows the correct time. Its narrator, Hayri İrdal, recounts his life and the circumstances that lead him to become involved with the institute under the leadership of the charismatic Halit Ayarcı. As the organisation grows, its elaborate procedures and absurd regulations expose the contradictions of a society attempting to modernise rapidly while remaining attached to older traditions. Through bureaucratic absurdities and eccentric characters, Tanpınar explores the tension between Westernisation and cultural heritage in twentieth-century Turkey. The novel questions whether progress can be achieved through administrative reforms alone and whether institutions sometimes create problems merely to justify their own existence. Blending humour with philosophical reflection, it offers a critique of social conformity, bureaucracy, and the human tendency to confuse outward appearances with meaningful change.

What happens when an ordinary letter makes you question everything you thought you knew? In the title story of Waiting for the Fear, an isolated man receives a mysterious message written in a language he cannot understand. As he struggles to decipher its meaning, suspicion gradually takes over his life, transforming his home into a place of dread and his everyday existence into an increasingly surreal nightmare. Across eight stories, Oğuz Atay introduces a cast of outsiders, misfits, and troubled souls struggling to connect with a society that seems determined to misunderstand them. A woman confronts unsettling memories after discovering her former lover’s body; lonely storytellers sell invented tales to passengers at a remote railway station; other characters find themselves trapped between their private fantasies and an indifferent world. Blending dark humour, psychological unease, absurdity, and experimental storytelling, Waiting for the Fear explores the fragile boundary between reality and imagination. Atay’s characters are haunted not only by external threats but also by their own thoughts, revealing the loneliness of people who can no longer trust the world—or themselves.

Growing up in 1950s Turkey, a young woman feels increasingly alienated by the conventional world surrounding her. In a society shaped by patriarchal expectations, nationalism, and rigid ideas of respectability, she longs for freedom, sensuality, and a life beyond the boundaries imposed on her. Childhood memories of family life and school follow her into adulthood, becoming inseparable from her search for independence. As she moves between Istanbul, Berlin, and Paris, she pursues love and escape, yet finds herself struggling with depression and repeated stays in psychiatric institutions. There, she encounters treatments that threaten to suppress the very individuality she is fighting to preserve. Through fragmented memories, intimate reflections, and an unconventional narrative, she confronts the painful distance between the life society expects her to live and the one she desperately wants. Part autobiographical novel and part intimate psychological portrait, Cold Nights of Childhood is a fearless exploration of female desire, alienation, and resistance. Tezer Özlü transforms personal suffering into a powerful meditation on what it means to remain true to oneself in a world determined to define who one should be.

Every summer, three siblings travel to a coastal town near Istanbul to visit their elderly grandmother, Fatma, who lives in a house filled with memories of a vanished world. Their grandfather, a doctor and idealist, built the house decades earlier, but his ambitions and radical ideas left painful marks on the family. During their visit, the siblings reveal contrasting visions of Turkey’s future. Faruk, a disillusioned historian, struggles with his sense of purpose; Nilgün, a politically engaged young woman, dreams of a more egalitarian society; and Metin longs for wealth and the opportunities he associates with the West. Meanwhile, Fatma’s memories return to a past shaped by resentment, regret, and family secrets. Set against the political polarisation of late-1970s Turkey, Silent House examines the tensions between generations, social classes, and competing ideologies. Through the voices of its deeply different characters, Pamuk reveals how a family’s private conflicts can mirror the divisions of an entire nation.

In the seventeenth century, a young Italian scholar travelling from Venice is captured by pirates and taken to Constantinople, where he becomes a slave. His new master, Hoja, is an Ottoman scholar fascinated by Western science and technology. But their relationship becomes increasingly strange when they discover that they look almost exactly alike. As the Italian teaches Hoja everything he knows about astronomy, medicine, and engineering, their intellectual partnership develops into a psychological struggle. Each man becomes obsessed with understanding the other, probing his memories, fears, and deepest secrets. Gradually, the boundaries between master and slave begin to blur, raising an unsettling question: if two people know everything about each other, can they exchange identities? Set against the grandeur and brutality of the Ottoman Empire, The White Castle is a philosophical tale about selfhood, cultural differences, and the fragile boundaries separating East from West.

On a snowy day in Istanbul, lawyer Galip discovers that his wife, Rüya, has disappeared. Unable to understand why she has left, he begins searching the city’s crowded streets, old neighbourhoods, and hidden corners for clues. His investigation becomes even more mysterious when he discovers that Rüya’s half-brother, Celâl, a famous newspaper columnist, has vanished too. As Galip follows the traces they have left behind, he becomes immersed in Celâl’s newspaper columns, which explore Istanbul’s history, its forgotten stories, and the secrets concealed beneath everyday life. The search gradually transforms into something more profound: a journey through the city’s collective memory and Galip’s own uncertain identity. Blending mystery, philosophical reflection, and a vivid portrait of Istanbul, The Black Book explores the desire to become someone else and the difficulty of knowing who we really are. Pamuk transforms the city into a labyrinth of stories in which the search for a missing person becomes a search for the self.

“One day I read a book, and my whole life changed.” With this extraordinary declaration, university student Osman begins a journey that will pull him away from everything familiar. After reading a mysterious book, he becomes convinced that its pages contain the promise of another existence—a hidden world waiting just beyond the boundaries of ordinary life. Captivated by its message, Osman abandons his studies and sets out to discover the transformation it promises. He is joined in his search by Canan, a fellow student who has also been profoundly affected by the book. Their journey takes them across Turkey on endless bus rides through provincial towns and anonymous highways, where strange encounters and sudden accidents blur the line between reality and illusion. As Osman searches for the book’s secrets, his quest becomes increasingly entangled with love, obsession, and the possibility that his old identity is disappearing. Part philosophical mystery and part surreal road novel, The New Life explores the power of literature to transform—and sometimes consume—the lives of its readers. Pamuk questions whether we can truly escape our former selves or whether the search for a new life is itself another form of illusion.

Like a Sword Wound opens Ahmet Altan’s Ottoman Quartet, a historical series exploring the final decades of the Ottoman Empire and the emergence of modern Turkey. Set against political upheaval and the decline of imperial authority, the novel follows a cast of characters whose personal desires conflict with the traditions and expectations of their society. Among them are an Ottoman army officer, members of the royal household, and a Turkish aristocrat whose attraction to a conservative religious leader challenges her independent life in Paris. Their relationships unfold amid betrayal, shifting loyalties, and the growing influence of Western ideas. Altan combines historical drama with intimate explorations of love, sexuality, and power, revealing how political transformation changes both public institutions and private relationships. The novel examines the tension between modernity and tradition in a society struggling to determine its future.

What does it mean to be a writer, to belong to a city, or to live between different cultural worlds? In Other Colors, Orhan Pamuk opens a window into his creative life through a collection of essays, interviews, diary entries, literary reflections, and personal recollections written over more than two decades. Pamuk writes about his childhood in Istanbul, the pleasures and anxieties of everyday life, his relationship with his daughter, and the books and writers who shaped his imagination. He reflects on the art of writing novels, the relationship between Eastern and Western literary traditions, and the political and cultural tensions that have influenced modern Turkey. The collection also includes the short story Looking Out the Window, offering a glimpse of his fiction through a different lens. Intimate, curious, and often provocative, Other Colors reveals the ideas and experiences behind Pamuk’s celebrated novels. It is both a portrait of a writer at work and a meditation on literature, memory, politics, and the complexities of belonging.

As the Second World War threatens to engulf Europe, Selva, the daughter of a prominent Ottoman family, falls in love with Rafael Alfandari, a young Jewish man. Their relationship defies the expectations of both families, forcing them to leave Turkey and begin a new life together in France. But when the Nazis occupy the country, their happiness is overshadowed by the growing danger facing Jewish communities across Europe. As persecution intensifies, Selva and Rafael find themselves trapped in a hostile world where their love and their young family may not be enough to keep them safe. Meanwhile, Turkish diplomats work behind the scenes to rescue Jewish people stranded in occupied Europe, arranging a perilous journey towards freedom. With time running out, the fate of Selva and Rafael becomes intertwined with the courage of those willing to risk their lives to save strangers. Moving between Ankara, Istanbul, Paris, and other wartime cities, Last Train to Istanbul combines an intimate family story with a little-known chapter of Holocaust history. Inspired by accounts of Turkish diplomats who helped rescue Jews during the war, the novel explores love across cultural boundaries, moral courage, and the extraordinary acts of humanity that can emerge in the darkest times.

Set in sixteenth-century Istanbul during the Ottoman Empire, My Name Is Red follows a group of miniature painters commissioned to create an illustrated book for the sultan. Their work becomes controversial because it incorporates European artistic techniques that challenge traditional Islamic approaches to representation. When one of the artists is murdered, the investigation exposes rivalries, jealousy, and competing ideas about art, religion, and cultural identity. The story unfolds through multiple narrators, including artists, objects, and even a corpse, creating a complex picture of a society caught between established traditions and new influences. Pamuk explores the relationship between artistic expression and political authority, asking whether adopting foreign ideas represents progress or the loss of cultural heritage. The novel combines a murder mystery with a philosophical examination of how people understand themselves through art and tradition.

Istanbul: Memories and the City is a memoir in which Orhan Pamuk reflects on his childhood, his family, and his lifelong relationship with Istanbul. Blending personal recollections with historical observations and literary reflections, he portrays a city shaped by the fading grandeur of the Ottoman Empire and the uncertainties of modernisation. Pamuk describes the melancholy that permeates Istanbul’s streets, abandoned mansions, waterfronts, and neighbourhoods, connecting this atmosphere to the Turkish concept of hüzün, a collective sense of sorrow and loss. His memories of family life, artistic ambition, and the changing urban landscape reveal how individual identity becomes inseparable from the place in which it develops. The book explores belonging, cultural memory, and the relationship between past and present, offering both an intimate portrait of the author and a meditation on a city searching for its place between East and West.