Books from Türkiye

In the small Anatolian village of Eskibahçe, Muslims and Christians have lived side by side for generations, sharing a language, traditions, friendships, and everyday life. At the heart of this close-knit community is the tender love between Philothei, a beautiful Greek Christian girl, and Ibrahim, a Muslim goatherd who has loved her since childhood. Their future seems possible—until the forces of history begin to tear their world apart. As the Ottoman Empire collapses and modern Turkey emerges, the villagers are swept into the First World War, the rise of nationalism, and the brutal Greek-Turkish conflict. Through the voices of ordinary people, de Bernières creates an expansive portrait of a society destroyed by religious divisions, political ambition, and forced displacement. Both heartbreaking and darkly humorous, Birds Without Wings explores how people who once lived as neighbours can become enemies—and how love and humanity endure even amid extraordinary cruelty.

Snow follows Ka, a Turkish poet returning from political exile in Germany to the remote city of Kars. Officially, he is investigating a series of young women’s suicides, but he is also drawn into the city’s complicated political and religious tensions. As a severe snowstorm isolates Kars from the outside world, Ka becomes entangled with secular intellectuals, Islamists, Kurdish activists, and military authorities. His renewed feelings for İpek, a woman he once knew, offer the possibility of personal happiness amid the surrounding instability. However, a theatrical performance and a military coup intensify the conflict between competing ideological groups. Pamuk examines secularism, religious belief, censorship, and the difficulties of individual freedom in a deeply divided society. Through Ka’s experiences, the novel explores how political convictions shape private lives and how difficult it can be to remain independent when every side demands allegiance.

Set in the sixteenth-century Ottoman Empire, The Architect’s Apprentice follows Jahan, a twelve-year-old boy who arrives in Istanbul with Chota, an extraordinary white elephant intended for the sultan’s menagerie. As Jahan becomes involved in palace life, he encounters the celebrated imperial architect Mimar Sinan, who eventually takes him under his wing. Jahan enters a world of magnificent buildings, political intrigue, artistic ambition, and dangerous rivalries among the architect’s apprentices. As he grows older, his experiences expose him to the contradictions of an empire where beauty and intellectual achievement coexist with cruelty, jealousy, and the struggle for power. Shafak combines historical detail with an imaginative coming-of-age story, exploring loyalty, creativity, and the desire to find one’s place in the world. The novel celebrates architecture as both an artistic achievement and a lasting expression of human imagination.

The Bastard of Istanbul centres on two young women whose lives connect through a complicated family history shaped by Turkish and Armenian experiences. Asya Kazancı grows up in Istanbul in a household dominated by women, surrounded by family secrets and conflicting interpretations of the past. Meanwhile, Armanoush, an Armenian American teenager, travels secretly to Istanbul in search of her cultural roots and a better understanding of her family’s history. When the two meet, their friendship brings buried memories and long-suppressed truths to the surface, particularly those connected to the Armenian genocide and its legacy. Through humour, food, family relationships, and competing memories, Shafak examines the relationship between personal identity and collective history. The novel explores how silence and denial can shape generations, while asking whether individuals can build meaningful connections across cultural and historical divisions.

Istanbul, 1975. Kemal, the privileged son of a wealthy family, is preparing to marry Sibel, a woman who belongs to his own sophisticated social circle. But a chance encounter with Füsun, a beautiful young shop assistant and distant relative, sets his carefully ordered life on an unexpected course. Their passionate affair soon becomes complicated by social conventions, class divisions, and the expectations placed on women in a rapidly modernising Turkey. When Füsun disappears from his life, Kemal begins collecting objects connected to her: earrings, hair clips, cigarette butts, and countless other seemingly insignificant things. Each item becomes a vessel for memory, allowing him to preserve moments that time would otherwise erase. Over the years, his collection grows into an extraordinary personal museum, reflecting both his devotion and his inability to let go. Spanning decades of Istanbul’s social and cultural transformation, The Museum of Innocence is a richly layered exploration of love, obsession, memory, and longing. Nobel Prize-winning author Orhan Pamuk transforms ordinary objects into fragments of a vanished world, asking whether preserving the past can bring happiness—or merely keep us imprisoned within it.

The Naive and the Sentimental Novelist explores how novels work and why reading fiction can transform our understanding of ourselves and the world. Drawing on his experience as a novelist and his lifelong engagement with literature, Orhan Pamuk examines the relationship between writers, readers, and the fictional worlds they create. Inspired by Friedrich Schiller’s distinction between naive and sentimental poetry, Pamuk considers two approaches to storytelling: one that emerges naturally from experience and another that consciously reflects on its own methods and meanings. Through examples from writers such as Tolstoy, Dostoevsky, and Thomas Mann, Pamuk discusses character, plot, setting, symbolism, and the delicate balance between imagination and observation. He also explores the pleasure readers find in entering a novel’s world, visualising its landscapes, and identifying with its characters. Blending literary criticism with personal reflection, the book offers an intimate account of the novelist’s craft and the reader’s experience. Ultimately, Pamuk suggests that the power of fiction lies in its ability to make imagined worlds feel as vivid and meaningful as reality itself.

In 1969, twelve-year-old Mevlut leaves his village in central Anatolia and arrives in Istanbul, a city expanding so rapidly that familiar streets and entire neighbourhoods seem to disappear almost overnight. Hoping to build a better life, he works alongside his father selling boza, a traditional fermented drink, on the city’s streets. Over the years, he takes on different jobs, falls in love, marries, and raises a family while watching Istanbul transform around him. Mevlut is neither a great success nor a complete failure. While others grow wealthy from the city’s rapid development, he remains an outsider in a place he has called home for decades. Even as his life changes, he continues to wonder about the peculiar feeling inside him—a sense that the world he inhabits never quite matches the world he imagines. Spanning more than forty years, A Strangeness in My Mind is a sweeping portrait of urban migration, ordinary working lives, and the transformation of modern Istanbul. Through Mevlut’s quiet resilience, Pamuk explores love, social mobility, and the search for belonging in a city that is always becoming something new.

As Hitler’s persecution of Jews intensifies in 1930s Germany, medical professor Gerhard Schliemann and his wife, Elsa, face an impossible choice: remain in the country they call home or flee to protect their family. Their escape leads them to Turkey, where German Jewish academics are offered positions at universities and hospitals as the young republic works to modernise its institutions. Although the Schliemanns find refuge and the opportunity to rebuild their lives, safety does not guarantee belonging. Across four generations, their descendants navigate political upheaval, military coups, interfaith relationships, and renewed antisemitism. As Turkey itself changes, the family must confront difficult questions about identity, loyalty, and what it means to belong to a country that may never fully accept them. Spanning nearly a century, Without a Country is a multigenerational saga inspired by the real history of German-speaking Jewish academics who found refuge in Turkey during the Nazi era. Ayşe Kulin explores the complicated relationship between displacement and belonging, showing how the search for a safe home can shape a family’s destiny long after the original refugees are gone.

In 1920s Turkey, Sabahat is a bright, determined young Muslim woman who dreams of an education and a life beyond the traditional expectations placed on women. Persuading her family to let her pursue her studies, she begins to imagine a future shaped by her own ambitions rather than an arranged marriage. But her plans take an unexpected turn when she falls in love with Aram, an Armenian Christian student. Their feelings deepen despite the religious and cultural divisions separating their families. In a society where interfaith relationships challenge deeply rooted traditions, their love becomes a source of both hope and conflict. As family loyalties and social pressures threaten to tear them apart, Sabahat and Aram must decide how much they are willing to sacrifice to remain together. Inspired by Ayşe Kulin’s own family history, Love in Exile is a sweeping romance set during a period of profound transformation in Turkish society. It explores forbidden love, women’s independence, religious difference, and the painful choices people face when personal happiness conflicts with family expectations.

In the mid-1980s, teenage Cem leaves Istanbul to work as an apprentice to Mahmut, an experienced well-digger. Together, they travel to a small town outside the city, where they labour to find water in the dry earth. As they work, Mahmut becomes a father figure to Cem, teaching him practical skills and sharing stories that shape the young man’s understanding of the world. One summer, Cem encounters a mysterious red-haired woman performing with a travelling theatre troupe. Fascinated by her, he becomes entangled in an experience that will haunt him for decades. A terrible incident at the well changes the course of his life, and years later, when Cem has become a successful businessman, the past returns with consequences he could never have anticipated. Drawing on the ancient myths of Oedipus and Rostam and Sohrab, The Red-Haired Woman explores fathers and sons, guilt, authority, and the forces that shape our destinies. It is a compact, unsettling novel about the stories we inherit and whether we can ever escape them.

In September 1905, in the cosmopolitan Ottoman port city of Smyrna, a girl named Scheherazade is born as an Indian spy arrives with a secret mission for the British Empire. Their stories unfold alongside those of four families—a Levantine, a Greek, a Turkish, and an Armenian—whose lives are bound together by love, ambition, and the city’s extraordinary cultural diversity. Over the following seventeen years, the families navigate political upheaval, shifting loyalties, forbidden relationships, and the growing tensions surrounding the decline of the Ottoman Empire. As war transforms the region, the world they know begins to crumble, culminating in the devastating fire that engulfs Smyrna in 1922. Rich in historical detail and intimate human drama, The Silence of Scheherazade resurrects a lost multicultural world and gives voice to the people caught between competing nationalisms. It is a story of love, displacement, and the silences that history leaves behind.

On Büyükada, an island off Istanbul, relatives gather in the summer of 2017 to celebrate the hundredth birthday of Şirin Saka, a celebrated artist whose long life has spanned nearly a century of political and cultural change. What should be a joyful family occasion soon becomes an encounter with the past, as the younger generations begin to question the silences that have shaped their lives. Şirin’s grandchildren, Nur and Fikret, and her great-granddaughter, Selin, know that something painful lies beneath the family’s carefully maintained image. Hoping to uncover the truth, they invite Burak, a family friend and investigative journalist, to interview Şirin. But the elderly artist has spent decades concealing a history that reaches beyond her personal life into the suppressed memories of the country itself. Told through four perspectives, At the Breakfast Table explores the inheritance of family secrets, the psychological cost of silence, and the courage required to confront uncomfortable truths. Defne Suman weaves together intimate family drama and Turkey’s complicated history in a novel about memory, identity, and the possibility of breaking free from the past.