Books from Italy

Sicily, 1960s. Fifteen-year-old Oliva Denaro loves running through the countryside and dreams of a life beyond the strict rules imposed on girls. But when a local boy decides he wants her, Oliva discovers how little control a young woman has over her own future in a society ruled by tradition and shame. Inspired by a true story, this moving novel follows Oliva’s courageous struggle to reclaim her freedom in a world that expects women to remain silent. Through her determination, Viola Ardone explores the cost of defiance and the extraordinary strength it takes to say no when everyone expects you to obey.

A Girl Returned follows a thirteen-year-old girl who is suddenly sent back to the family she barely remembers after being raised by a couple she believed were her parents. Without explanation, she finds herself living with her biological family in a crowded apartment in a poor rural community in southern Italy. Surrounded by unfamiliar siblings and a mother who feels like a stranger, she struggles to understand why she was given away and why she has now been returned. As she adjusts to her new circumstances, the girl develops a complicated relationship with her younger sister, Adriana, whose boldness and resourcefulness offer both companionship and conflict. Through the protagonist’s perspective, Donatella Di Pietrantonio explores the emotional consequences of abandonment, the divisions between social classes, and the meaning of motherhood and belonging. Written in a restrained, powerful style, the novel captures the vulnerability of adolescence and the lasting impact of secrets within families. It asks whether family is defined by blood, love, or the people who choose to stay.

My Brilliant Friend follows Elena Greco and Raffaella Cerullo, known as Lila, two intelligent and ambitious girls growing up in a poor neighborhood of Naples in the 1950s. Despite their contrasting personalities, they develop a complex friendship shaped by admiration, rivalry, jealousy, and affection. As they navigate childhood and adolescence, both confront the limitations imposed by poverty, gender expectations, and a society marked by violence and rigid social hierarchies. While Elena continues her education, Lila’s opportunities are increasingly restricted, creating a tension that follows them as their lives take different directions. Through their evolving relationship, Ferrante explores female friendship, ambition, identity, and the transformative power of education. The novel is the first installment of the Neapolitan series, offering an intimate portrait of growing up and discovering oneself in a changing Italy.

Foucault’s Pendulum follows three Italian editors who work for a small publishing house specialising in obscure historical and occult manuscripts. As a private intellectual game, they begin inventing an elaborate conspiracy theory that connects secret societies, the Knights Templar, and centuries of hidden knowledge. Their fictional pattern gradually becomes more elaborate, drawing in real-world enthusiasts who believe the invented conspiracy reveals the truth about history. What begins as a playful exercise becomes increasingly dangerous as the editors lose control of the story they have created. Eco explores the human tendency to search for patterns and hidden meanings, showing how the desire to explain the world can lead people into irrational beliefs. Blending historical references, intellectual satire, and suspense, the novel examines conspiracy thinking, interpretation, and the dangers of confusing imaginative connections with evidence.

The Art of Joy follows Modesta, a fiercely independent woman born into poverty in Sicily on New Year’s Day 1900. After a difficult childhood marked by family tragedy, she finds refuge in a convent, but her intelligence, ambition, and refusal to accept the limits imposed on women lead her toward a very different life. Through determination and cunning, Modesta rises into aristocratic society, building relationships and pursuing intellectual, emotional, and sexual freedom on her own terms. Spanning much of the twentieth century, the novel follows Modesta through personal transformations and the political upheavals of modern Italian history. Goliarda Sapienza challenges conventional ideas about morality, religion, marriage, and femininity, presenting a protagonist who refuses to be defined by society’s expectations. Bold, sensual, and politically provocative, the novel celebrates the pursuit of pleasure and self-determination while examining the contradictions involved in living freely in an unequal world.

Set in the seventeenth century, The Island of the Day Before follows Roberto della Griva, an Italian nobleman who survives a shipwreck and finds himself stranded aboard an abandoned vessel in the South Pacific. The ship lies near a beautiful island that he can see but cannot reach, partly because he cannot swim. Alone, Roberto reflects on his childhood, his experiences of war, his education, and his complicated ideas about love and destiny. He becomes increasingly preoccupied with the island’s location on the opposite side of the international date line, imagining that it might hold the secret to travelling into yesterday. Through his reflections and encounters with the history of scientific discovery, Eco explores the relationship between time, knowledge, and human perception. Blending historical fiction, philosophy, and adventure, the novel examines the limits of reason and the ways solitude can transform a person’s understanding of reality.

If on a winter’s night a traveler is an experimental novel that places the reader at the centre of the story. It begins with a reader attempting to enjoy a new book by Italo Calvino, only to discover that the text is incomplete. As the reader searches for the missing continuation, they encounter a series of other novels, each beginning in a different literary style but ending abruptly. Along the way, the reader becomes involved with Ludmilla, another reader who shares the desire to discover how the stories conclude. Calvino turns the act of reading into an adventure, examining the relationship between authors, readers, and the books they create together. The novel explores curiosity, interpretation, and the human desire for narrative closure, playfully questioning whether a story’s meaning lies in its ending, its beginning, or the experience of reading itself.

Invisible Cities imagines a series of conversations between the Venetian traveller Marco Polo and the Mongol emperor Kublai Khan. Polo describes extraordinary cities he claims to have visited, each possessing distinctive customs, architecture, memories, and relationships with time. Some cities seem suspended between life and death; others are organised around desire, exchange, or the endless accumulation of objects. Gradually, the descriptions become less like conventional travel accounts and more like meditations on human experience. Khan attempts to understand the vastness of his empire through Polo’s stories, while the traveller uses language to explore places that may reflect aspects of Venice itself. Calvino combines fantasy, philosophy, and poetic imagery to examine memory, communication, urban life, and the relationship between imagination and reality. The book invites readers to consider how cities express the hopes, fears, and contradictions of the people who inhabit them.