Books from Ireland

It is 1985 in a small Irish town, and coal merchant Bill Furlong is preparing for the busiest weeks of the year. A devoted husband and father of five daughters, he has built a modest but stable life through hard work. Yet as Christmas approaches, a delivery to the local convent reveals something deeply troubling: girls are being confined there under the authority of the Catholic Church, their suffering concealed behind respectable walls. The discovery forces Bill to confront uncomfortable memories of his own childhood and the kindness that once helped him survive. In a community where the Church holds enormous power and silence protects those in authority, speaking out could jeopardise his livelihood and his family’s security. With remarkable economy and emotional depth, Small Things Like These explores complicity, moral courage, and the quiet choices that define a person’s character. It is a powerful story about the cost of doing what is right when looking away would be easier.

Beautiful World, Where Are You follows Alice, a successful novelist, and Eileen, her childhood friend, as they navigate love, friendship, and uncertainty in their late twenties. After experiencing a mental health crisis, Alice moves to a small coastal town in Ireland, where she meets Felix, a warehouse worker with whom she begins an unpredictable relationship. Meanwhile, Eileen remains in Dublin, working at a literary magazine and reconnecting with Simon, a childhood friend whose feelings for her are complicated by years of shared history. Through emails exchanged between Alice and Eileen, the novel explores their anxieties about relationships, work, politics, and the future of a world marked by inequality and environmental crisis. Rooney examines the tension between private desires and broader social concerns, asking how people can pursue intimacy and meaning amid uncertainty. The result is a thoughtful portrait of contemporary adulthood, emotional vulnerability, and the search for beauty in an imperfect world.

Bell and Sigh are a young couple who decide to abandon conventional life and retreat to a remote house in the Irish countryside with their dogs. Leaving behind the city, their friends, and their families, they build a quiet world of their own, shaped by daily rituals, changing seasons, and the rhythms of the natural landscape. Nearby stands a mountain they are told offers a view of seven standing stones, seven schools, and seven church steeples. They promise to climb it, but year after year, the mountain remains unconquered. Spanning seven years, Seven Steeples follows the couple as their lives become increasingly intertwined with the land around them. With lyrical prose and a keen eye for the overlooked details of ordinary existence, Sara Baume explores solitude, intimacy, and the uneasy boundary between freedom and isolation. It is a contemplative novel about stepping away from society to discover what it means to build a life—and whether withdrawing from the world can ever truly bring us closer to ourselves.

Dubliners is a collection of fifteen short stories portraying the lives of ordinary people in Dublin at the beginning of the twentieth century. The stories follow children, adolescents, adults, and elderly characters as they confront family obligations, unfulfilled ambitions, religious expectations, and the limitations of their social environment. Some experience moments of sudden insight that reveal the compromises and disappointments shaping their lives, while others remain trapped by fear, habit, or economic necessity. Joyce presents Dublin as a city where political stagnation, social conventions, and the influence of the Catholic Church affect even the most private decisions. His restrained prose captures the significance of everyday encounters and seemingly minor events. The collection explores paralysis, longing, and the desire for escape, offering a powerful portrait of individuals who recognise the possibility of change but often struggle to act upon it.

On a summer Friday in Dublin, office worker Cathal watches the hours pass, looking forward to the weekend. Yet his thoughts keep returning to Sabine, the French woman he was once engaged to—and to the small moments and disagreements that destroyed their relationship. As the evening unfolds, details of their time together reveal a troubling portrait of a man whose rigid expectations and lack of generosity gradually undermine the possibility of love. The 2023 collection brings together three stories: So Late in the Day, The Long and Painful Death, and Antarctica. Across these unsettling encounters, Claire Keegan examines the power dynamics between women and men, exposing how entitlement, indifference, and the threat of violence can shape intimate relationships. With extraordinary precision and emotional restraint, she finds profound meaning in ordinary conversations and seemingly insignificant gestures. The result is a quietly devastating exploration of gender, intimacy, and the harm people can inflict without ever recognising themselves as cruel.

A new mother known as Soldier loves her baby son, Sailor, with a fierce intensity—but motherhood has transformed her life in ways she could never have anticipated. Exhausted by sleepless nights, endless childcare, and the relentless demands of caring for a young child, she struggles to recognise the woman she used to be. While her husband continues to work late and pursue his career, Soldier finds herself increasingly isolated, questioning the unequal division of parenting and the disappearance of her own ambitions. Told as an intimate address to her son, Soldier Sailor captures the contradictions of early motherhood: tenderness and resentment, overwhelming love and desperate frustration, joy and despair. When an encounter with someone from her former life offers a glimpse of the person she once was, Soldier begins to wonder whether she can reclaim part of herself without abandoning the child she adores. With sharp humour and unflinching honesty, Claire Kilroy explores the invisible labour of motherhood and the struggle to preserve one’s identity while caring for another person.

The Bee Sting follows the Barnes family, whose seemingly comfortable life in a small Irish town begins to unravel under the weight of financial troubles, personal secrets, and emotional isolation. Dickie, the father, once ran a successful car dealership but finds his business collapsing during an economic downturn. His wife, Imelda, struggles with the consequences of her past and the loss of the glamorous life she once imagined for herself. Their teenage daughter, Cass, is torn between academic ambitions and the desire to escape her family, while her younger brother, PJ, quietly confronts his own fears and insecurities. Through the shifting perspectives of its four central characters, Murray explores the gap between how families present themselves and what happens behind closed doors. Blending dark humor with tragedy, the novel examines inherited trauma, denial, and the consequences of seemingly small decisions. Set against the backdrop of contemporary Ireland, The Bee Sting is an expansive portrait of a family struggling to hold itself together as its world falls apart.

Intermezzo follows two Irish brothers, Peter and Ivan Koubek, as they struggle to navigate life after the death of their father. Peter, a successful Dublin lawyer in his thirties, appears to have everything under control, but beneath his confident exterior he is struggling with grief, insomnia, and complicated relationships with two women: Sylvia, his former partner, and Naomi, a much younger university student. Ivan, a socially awkward twenty-two-year-old competitive chess player, finds himself drawn to Margaret, an older woman whose own life is undergoing a period of uncertainty. Despite their shared loss, the brothers find it increasingly difficult to understand one another. Their differences in temperament, age, and approach to relationships create tension as they attempt to make sense of their changing lives. Through intimate psychological portraits and shifting perspectives, Rooney explores grief, masculinity, love, sibling relationships, and the ways people seek connection during periods of emotional upheaval. The title refers to an intermezzo, a musical interlude, reflecting a transitional moment in the brothers’ lives as they confront loss and reconsider who they want to become.

Prophet Song follows Eilish Stack, a mother of four living in Dublin as Ireland descends into authoritarianism. When a newly empowered secret police force begins targeting political opponents, Eilish’s husband, a trade unionist, disappears into state custody. As restrictions tighten and violence spreads, Eilish struggles to protect her children while navigating a society where ordinary institutions can no longer guarantee safety or justice. Her efforts to maintain a semblance of normal life become increasingly desperate as neighbours disappear, public services collapse, and the possibility of escape grows more complicated. Lynch presents the crisis through Eilish’s increasingly claustrophobic perspective, capturing the emotional exhaustion of a parent forced to make impossible choices. The novel explores authoritarianism, displacement, and the cost of resisting political oppression, showing how democracy can erode gradually until private life becomes inseparable from the struggle for survival.

Jay has built a new life in London with her girlfriend, keeping her complicated past at a safe distance. But when she learns that her beloved older brother, who died in an accident, may be declared a Catholic saint, she is forced to confront the family and faith she left behind. Both tender and sharply funny, this novel explores queer identity, grief, and the complicated legacy of the Catholic Church in Ireland, asking who gets to decide how a life is remembered.

In a small Irish town in 1982, Róisín and Red form an intense bond as two sharp-minded teenagers who feel out of place in their own lives. Red is rebellious and troubled, while Róisín carries the pain of growing up with an absent father and a difficult home life. When Red’s encounter with the law forces him to leave Ireland for England, their connection survives across distance, becoming a fragile thread linking them through the years. Eventually, Róisín travels to London to visit her estranged father and finds Red again, moving into his squat in Pimlico. But the life he has chosen is darker and more complicated than she imagined, and the pair gradually drift apart. Even as their paths diverge, Róisín remains haunted by her unfulfilled passion for him. Moving between Ireland and London over decades, Stations explores first love, addiction, friendship, and the lasting consequences of youthful choices. It asks whether we can release the people who shaped us—and whether learning to love someone else begins with learning to love ourselves.

After the isolation of the pandemic, Irish writer and artist Sara Baume discovers a painting at a small exhibition in West Cork that captivates her. Its creator, Mollie Douthit, is an American artist living alone in a remote coastal cabin. The two women form an unexpected friendship, finding common ground in their artistic practices, love of nature, solitary habits, and complicated relationships with other people. They establish a monthly ritual of sharing soup and swimming in the Atlantic, while Mollie prepares a new exhibition inspired by memories of her childhood. As their friendship deepens, Baume begins writing about Mollie’s paintings, exploring whether words can capture the elusive, dreamlike quality of visual art. But life soon disrupts their quiet routines, bringing loss, pain, and uncertainty. Blending memoir, art criticism, and intimate reflection, Opening Night examines how friendship shapes our understanding of ourselves, our memories, and the world around us. It is a thoughtful meditation on creativity, solitude, and the surprising connections that make life meaningful.