Brazil

Set in the rural hinterlands of Bahia, Brazil, Crooked Plow follows Bibiana and Belonísia, two sisters growing up in a community of Black agricultural workers descended from enslaved people. Their lives change dramatically when, as children, they discover an old knife hidden beneath their grandmother’s bed. A sudden accident leaves one sister unable to speak, creating a bond between them that shapes their identities and futures. As the sisters grow older, their paths diverge. Bibiana leaves home and becomes increasingly aware of the social and political forces that keep her community trapped in poverty, while Belonísia remains closely connected to the land and the traditions of her ancestors. Through their experiences, the novel reveals the exploitation of rural workers who cultivate land they do not own, despite generations of labour and their deep ancestral ties to it. Blending social realism with magical elements and Afro-Brazilian spiritual traditions, Vieira Junior explores the enduring consequences of slavery, racial inequality, and land dispossession. The land itself becomes a source of both suffering and belonging, connecting the community to its history while providing the foundation for resistance. Through the sisters’ intertwined lives, the novel examines how people preserve their dignity, culture, and collective memory in the face of persistent injustice.

Love can be intoxicating, terrifying, and impossible to escape. In this collection of thirteen interconnected stories, Caio Fernando Abreu explores the lives of people searching for intimacy in a world that often leaves them feeling invisible. A boy experiences the overwhelming intensity of his first crush; a drag queen searches for connection in the night; a lonely son visits his mother; and two men discover unexpected tenderness in the darkness. Moving between desire, heartbreak, loneliness, and moments of ecstatic possibility, Abreu portrays characters who refuse to surrender their longing for love, even when society rejects them. Music, astrology, dreams, and popular culture weave through these stories, creating a sensuous, almost psychedelic portrait of urban Brazil. Written during the shadow of military dictatorship and at the dawn of the AIDS crisis, the collection gives voice to outsiders whose experiences were frequently marginalised. Tender, restless, and unapologetically queer, it celebrates the fragile beauty of being alive and loving another person.

Set in Salvador, Bahia, Springtime in the Bones follows Luísa, a successful advertising professional whose carefully constructed life is shattered by sexual assault and the breakdown of her marriage. Still emotionally attached to her former husband, Michel, who has embraced his attraction to men, Luísa finds herself confronting two profound losses: the love she cannot let go of and the sense of safety stolen from her. As she struggles with the aftermath of violence, grief gives way to an uncompromising desire for revenge against the men who attacked her. Told through a fragmented, nonlinear narrative, the novel moves between memories, philosophical reflections, dark humor, and moments of raw emotional intensity. Leilla creates a protagonist who refuses to remain a passive victim, instead exploring the uncomfortable relationship between trauma, anger, and the pursuit of justice. Through Luísa’s determination to reclaim control over her body and her life, the novel challenges conventional expectations of how survivors should respond to violence. Poetic, provocative, and formally experimental, it is a powerful exploration of female autonomy, desire, and the possibility of renewal after profound suffering.

Set in 1990, Strangerland follows two people whose lives are shaped by migration, family obligations, and the search for belonging. Zivoin has recently arrived in London from Yugoslavia. As the dependable eldest son, he works long hours and sends his savings home to support his family, while watching news of his homeland’s growing political turmoil. Thousands of miles away, in Uberlândia, Brazil, Alegria prepares to leave the country and family she loves in pursuit of a better future. Ambitious and determined, she hopes to provide her parents with greater security, even if it means building a life far from home. When their paths cross, Zivoin and Alegria discover an unexpected connection that offers them a sense of belonging in unfamiliar surroundings. Their journey together takes them across countries and continents, testing their relationship and forcing them to confront the sacrifices involved in making a life elsewhere. Inspired by the author’s family history, the novel explores immigration, cultural identity, family loyalty, and the enduring power of love to transcend borders, languages, and time.

On Earth as It Is Beneath takes place in a remote Brazilian penal colony that has been abandoned by the authorities, leaving prisoners and guards trapped in a brutal and isolated environment. As the prison deteriorates, the people within it become increasingly subject to violence, cruelty, and arbitrary power. The boundaries between those responsible for maintaining order and those imprisoned begin to blur, exposing the moral corruption of a system that has effectively abandoned its own rules. Maia writes in stark, uncompromising prose, creating an atmosphere of dread in which the surrounding landscape intensifies the characters’ sense of confinement. The novel examines punishment, institutional neglect, and the dehumanising effects of unchecked authority. It asks what happens when a society removes people from view and then abandons responsibility for their lives.