Rachel Heng is a Singaporean novelist and short-story writer whose fiction explores identity, social change, technology, and the complexities of human relationships. Born and raised in Singapore, she studied Comparative Literature and Society at Columbia University before completing an MFA in Fiction and Playwriting at the University of Texas at Austin’s Michener Center for Writers. Heng made her literary debut with Suicide Club (2018), a dystopian novel set in a future New York where longevity and the pursuit of immortality have become obsessions. The book was published internationally and translated into ten languages. Her short fiction has appeared in prestigious literary publications, including The New Yorker, McSweeney’s Quarterly, and Tin House, while her essays have appeared in The New York Times, The Atlantic, and Esquire. Her second novel, The Great Reclamation (2023), draws on Singapore’s history to tell an expansive story about colonialism, war, national development, and belonging. It won the New American Voices Award and was a finalist for the Singapore Literature Prize. Heng is an assistant professor of English at Wesleyan University and lives in New York with her family.