Women & Society

In a secluded Druze village in Lebanon’s Mount Lebanon mountains, Amal dreams of a life beyond the boundaries her family and community have drawn for her. Her father, a religious shaykh and blacksmith, believes he has the right to shape the futures of his four daughters. But Amal longs to pursue higher education and study English literature at the American University of Beirut. When a wealthy local businessman offers her a possible way out, she makes a bargain that promises freedom but brings new complications. As marriage, motherhood, and social expectations threaten to consume her ambitions, Amal must find the courage to claim ownership of her life. Poetic and deeply moving, this novel explores the hidden struggles of women caught between tradition and independence, revealing the quiet acts of resistance that can transform generations.

In nineteenth-century China, bound feet known as “golden lilies” are considered essential to a woman’s marriage prospects and social standing. Little Flower, a talented young girl from a poor family, is sold into servitude as a muizai to Linjing, the privileged daughter of the wealthy Fong family. Despite their unequal positions, both girls possess qualities that could determine their futures: Little Flower has bound feet and an extraordinary gift for embroidery, while Linjing has the family connections and status that Little Flower can only dream of. Jealous of Little Flower’s talents, Linjing does everything she can to keep her servant under her control. But when scandal destroys the Fong family’s standing, both women are cast out and sent to the Celibate Sisterhood, a community of women who weave silk and seek independence from traditional marriage. There, Little Flower’s embroidery attracts the attention of a nobleman, offering her a possible escape—but also putting her life in danger. Rich in historical detail, The Lotus Shoes explores female ambition, class divisions, and the restrictive traditions governing women’s lives. Through two women whose relationship shifts between rivalry and solidarity, Jane Yang examines the difficult choices women make to survive and the unexpected ways they can shape one another’s destinies.

Set during the Islamic Golden Age, Under the Full and Crescent Moon imagines a fictional Muslim city governed by women, where religious scholarship, social equality, and community leadership have developed within a distinctive matriarchal society. Khadija, the intelligent but sheltered daughter of the city’s leading Islamic jurist, has spent much of her life immersed in books and religious scholarship. When her father appoints her as his assistant and scribe, she steps beyond the familiar walls of her home and discovers a wider world of friendships, female mentorship, and intellectual possibility. Under the guidance of influential women, including Imam Fatima and the Circle of Mothers, Khadija begins to understand her own potential. But the city’s relative peace is threatened when religious hardliners attempt to undermine its traditions and restrict the rights of women and religious minorities. Khadija must draw on her knowledge of Islamic law and her growing confidence to challenge those who seek to reshape her society through intolerance. Combining historical imagination with questions about faith, justice, and power, the novel explores women’s leadership and the ways religious teachings can be interpreted and used to protect or undermine social freedoms. At its heart, it is a coming-of-age story about a young woman discovering that knowledge can be a powerful instrument of change.

Set across the Arabian Gulf, Gulf follows five women from different backgrounds whose lives intersect in a region shaped by gender inequality, political conflict, economic disparity, and cultural divides. Dounia, a young Saudi woman, struggles with the restrictions of married life and the prospect of raising a daughter in a society where women’s freedom is limited. Flora, a Filipina domestic worker, leaves her surviving child behind after a devastating natural disaster forces her to seek work abroad. In Syria, Zeinah is pushed into marriage with an ISIS fighter, while Justine, an American museum curator in Abu Dhabi, confronts the contradictions between her progressive ideals and her own complicity in unequal power structures. Meanwhile, Eskedare, an Ethiopian teenager, fights to escape the circumstances that threaten to define her future. Through these interconnected stories, Ogrodnik explores the ways women navigate oppression, displacement, and moral compromise. Gulf is a powerful examination of survival, rebellion, and the struggle for agency in a world shaped by unequal power.

Jay has built a new life in London with her girlfriend, keeping her complicated past at a safe distance. But when she learns that her beloved older brother, who died in an accident, may be declared a Catholic saint, she is forced to confront the family and faith she left behind. Both tender and sharply funny, this novel explores queer identity, grief, and the complicated legacy of the Catholic Church in Ireland, asking who gets to decide how a life is remembered.

In a rural Tanzanian village, young Rosa grows up in a family where the home offers little protection from cruelty. Her father’s alcoholism and abuse cast a shadow over Rosa and her four younger sisters, while the expectations placed on girls leave them few ways to escape. When Rosa earns a place at a boarding school away from home, she hopes for a fresh start. Instead, she enters a world where sexual desire, manipulation, and unequal power complicate her search for independence. As she learns to navigate the double standards imposed on women, her attempts to gain control over her own life come at a devastating cost. First published in 1971, this groundbreaking novel challenged social and religious conventions in Tanzania, confronting domestic violence, sexual coercion, and women’s autonomy with striking directness.

Newly married Seema Hyderi has been thrown out of her husband’s home for the third time in just ten months. Sitting on her suitcase outside her in-laws’ house, she faces a life-changing decision: return to her husband and submit to his demands, or walk away from her marriage and reclaim her independence. What follows is a journey from Karachi to London and back, taking Seema through complicated family relationships, manipulative matchmakers, unspoken expectations, and the uncomfortable realities of married life. As she confronts the pressures imposed on women to preserve their marriages at any cost, Seema begins to question what happiness, freedom, and love truly mean. Blending sharp humour with emotional depth, Shazaf Fatima Haider’s novel offers an incisive look at marriage, domestic control, and the courage it takes to choose a different life within a society where a woman’s reputation is often tied to her relationship status.

Twenty-two-year-old Hafsatu Gaya seems to have everything in place: a promising career running a fashion label in Abuja, a loving family, and a relationship with one of the city’s most eligible bachelors. But when an impulsive decision brings long-buried family secrets to the surface, Hafsatu’s carefully constructed world begins to unravel. She must confront painful truths about her family’s past and question how well she really knows the people closest to her. Running alongside Hafsatu’s story is the heartbreaking love story of Zuwaira, an orphan whose hopes for a better life are repeatedly thwarted by social expectations and circumstances beyond her control. Although the two women belong to different generations and occupy very different positions in society, their lives are connected by secrets that will eventually reshape both their futures. Set in Northern Nigeria, Hafsatu Bebi explores love, betrayal, faith, family obligations, and the tension between personal choice and destiny. It asks whether people can truly understand themselves when so much of their identity has been built on truths others have chosen to conceal.

On a summer Friday in Dublin, office worker Cathal watches the hours pass, looking forward to the weekend. Yet his thoughts keep returning to Sabine, the French woman he was once engaged to—and to the small moments and disagreements that destroyed their relationship. As the evening unfolds, details of their time together reveal a troubling portrait of a man whose rigid expectations and lack of generosity gradually undermine the possibility of love. The 2023 collection brings together three stories: So Late in the Day, The Long and Painful Death, and Antarctica. Across these unsettling encounters, Claire Keegan examines the power dynamics between women and men, exposing how entitlement, indifference, and the threat of violence can shape intimate relationships. With extraordinary precision and emotional restraint, she finds profound meaning in ordinary conversations and seemingly insignificant gestures. The result is a quietly devastating exploration of gender, intimacy, and the harm people can inflict without ever recognising themselves as cruel.

One anonymous post. One devastating accusation. One month until the wedding. Ola Olajide has built her career exposing powerful men accused of misconduct. As a successful journalist at Womxxxn magazine, she knows exactly what women should do when allegations surface—and what happens when they stay silent. Now, just weeks before her wedding, Ola wakes up to a message that threatens to destroy the future she has imagined: her fiancé, Michael Koranteng, has appeared on a viral online list of men accused of abusive behaviour. Until now, Ola and Michael have been the couple everyone admires. But as the allegations spread, their carefully curated love story begins to unravel. Ola must decide whether to stand by the man she loves or risk becoming the very kind of woman she has spent her career criticising. Meanwhile, Michael insists he is innocent, and the relentless online speculation leaves little room for uncertainty. Sharp, unsettling, and impossible to dismiss, The List explores what happens when the court of public opinion delivers its verdict before all the facts are known. Yomi Adegoke delves into the collision between feminism, accountability, loyalty, and the unforgiving machinery of social media. When the internet decides who you are, can the truth still save you?

Set in the politically charged atmosphere of an American university on the eve of the 2016 presidential election, The Laughter follows Dr. Oliver Harding, an aging white professor of English who considers himself a progressive, liberal intellectual. His carefully constructed worldview begins to unravel when he becomes infatuated with Ruhaba Khan, a younger Pakistani Muslim law professor whose confidence, intelligence, and political activism both attract and unsettle him. When Ruhaba’s teenage nephew, Adil, arrives from France, Oliver uses his growing relationship with the boy as a way to get closer to his aunt. At the same time, campus protests over diversity and representation challenge the university’s established power structures, forcing Oliver to confront questions about privilege, race, and his own supposedly liberal beliefs. As his obsession intensifies, his behaviour becomes increasingly disturbing, and the gap between how he sees himself and how others might see him grows more dangerous. Told through Oliver’s unreliable perspective, the novel gradually reveals the prejudices and insecurities concealed beneath his intellectual sophistication. With dark humour and psychological suspense, Jha examines how people rationalise their own behaviour, how racial and cultural differences can become objects of both fascination and hostility, and how easily a sense of entitlement can disguise itself as virtue. The Laughter is a provocative exploration of power, misogyny, identity, and the contradictions of contemporary American liberalism.

When Ikemefuna, a young Nigerian dancer, boards a plane from Lagos to Texas, she imagines a new life filled with opportunity, freedom, and the promise of a happy marriage. Instead, she finds herself trapped in the home of her new husband’s parents, where her movements are controlled, her independence stripped away, and the pressure to produce a male heir grows increasingly intense. Her husband, Nna, initially struggles to reconcile his self-proclaimed feminist beliefs with his family’s expectations. As secrets emerge and the household becomes increasingly suffocating, the boundaries between victim and perpetrator, tradition and cruelty, begin to blur. Ikemefuna’s apparent obedience conceals something far more complicated, and the family’s carefully maintained facade begins to unravel. Blending domestic thriller, psychological horror, and Nigerian diasporic fiction, House Woman explores patriarchal power, forced marriage, intergenerational trauma, and the devastating consequences of silencing women. It also questions whether moving to another country necessarily brings freedom when oppressive social structures travel with you.