Motherhood

Set in Soviet-occupied Latvia between 1969 and 1989, Soviet Milk tells the story of three generations of women whose lives are shaped by political oppression, emotional isolation, and the struggle for personal freedom. At its centre is a talented young gynaecologist who refuses to accept the restrictions imposed by the Soviet system. After a professional conflict with the authorities, she loses the career she has worked towards and is sent to practise medicine in the Latvian countryside. Increasingly withdrawn and unable to find meaning in her life, she struggles to connect with her daughter, who grows up feeling the weight of her mother’s unhappiness. The story alternates between the voices of the mother and daughter, revealing how political repression reaches into the most intimate corners of family life. While the mother retreats into despair, the daughter searches for understanding, belonging, and hope, finding emotional stability in the care of her grandmother. As Latvia approaches the restoration of its independence, the women’s personal struggles become intertwined with their country’s desire for liberation. Through its portrayal of a fractured mother-daughter relationship, Ikstena explores how authoritarian systems can damage individual lives across generations. Yet the novel also celebrates the resilience of women, the sustaining power of familial love, and the possibility of breaking free from inherited suffering.

Set in Nigeria during the 1980s and 1990s, Stay with Me tells the story of Yejide and Akin, a young couple whose passionate love is gradually tested by family expectations, infertility, and devastating secrets. Having met and fallen in love at university, Yejide and Akin agree that polygamy has no place in their marriage. But after four years together without a child, pressure from Akin’s family becomes unbearable. His relatives eventually arrange for him to take a second wife, believing that another woman might succeed where Yejide has not. Humiliated and desperate to save her marriage, Yejide becomes increasingly determined to conceive. As the couple struggle with fertility treatments, traditional remedies, and the demands of their families, their relationship begins to unravel. Decisions made out of fear and desperation lead to betrayal, grief, and consequences neither could have imagined. Meanwhile, political unrest and military upheaval provide a backdrop to their deeply personal struggles. Told through the alternating perspectives of Yejide and Akin, the novel explores the painful intersection of love, marriage, and cultural expectations. Adebayo examines how the pressure to become parents can shape a person’s identity, how secrets can destroy even the closest relationships, and how grief changes the meaning of family. Ultimately, Stay with Me is a moving story about the sacrifices people make for love and the complicated ways they attempt to protect one another from heartbreak.

What makes someone a mother—and what happens when motherhood looks nothing like we imagined? Laura has made a firm decision never to have children, even undergoing sterilisation to protect the life she has chosen. Her friend Alina, meanwhile, finds herself drawn towards motherhood. When Alina’s pregnancy takes an unexpected turn, both women are forced to confront the limits of love, independence, and their ideas about what it means to care for another person. As their lives become intertwined with the lives of vulnerable children, the two women discover that love can be inseparable from fear, grief, and uncertainty. With remarkable tenderness and honesty, Guadalupe Nettel challenges the idealised image of maternal instinct, exploring the complicated emotions women are rarely encouraged to admit. Intimate and quietly devastating, Still Born is a moving portrait of friendship, chosen family, and the many forms that caregiving can take. Shortlisted for the 2023 International Booker Prize, it asks whether love means protecting someone from suffering—or learning how to live alongside it.

When contemporary Irish poet Doireann Ní Ghríofa discovers the extraordinary work of eighteenth-century poet Eibhlín Dubh Ní Chonaill, she becomes captivated by the woman’s life and the grief that inspired her most famous poem. After discovering her husband’s murdered body, Eibhlín drank his blood and composed a devastating lament that would survive for centuries. Determined to recover the details of a life that history has largely erased, Ní Ghríofa embarks on a literary investigation that becomes deeply intertwined with her own experiences of pregnancy, motherhood, and domestic life. Moving between past and present, A Ghost in the Throat blends memoir, literary criticism, and historical research to explore female creativity, the silencing of women’s voices, and the intimate connections that can form between women separated by centuries. It is a lyrical meditation on grief, desire, motherhood, and the transformative power of discovering another woman’s story.

A new mother known as Soldier loves her baby son, Sailor, with a fierce intensity—but motherhood has transformed her life in ways she could never have anticipated. Exhausted by sleepless nights, endless childcare, and the relentless demands of caring for a young child, she struggles to recognise the woman she used to be. While her husband continues to work late and pursue his career, Soldier finds herself increasingly isolated, questioning the unequal division of parenting and the disappearance of her own ambitions. Told as an intimate address to her son, Soldier Sailor captures the contradictions of early motherhood: tenderness and resentment, overwhelming love and desperate frustration, joy and despair. When an encounter with someone from her former life offers a glimpse of the person she once was, Soldier begins to wonder whether she can reclaim part of herself without abandoning the child she adores. With sharp humour and unflinching honesty, Claire Kilroy explores the invisible labour of motherhood and the struggle to preserve one’s identity while caring for another person.

Becoming a mother changes you in ways that are far deeper than most people ever explain. But what if this transformation were understood not simply as a life event, but as a profound biological, psychological, and social metamorphosis? In Matrescence, journalist Lucy Jones explores the extraordinary transition into motherhood, drawing parallels with adolescence. Through neuroscience, evolutionary biology, psychology, and sociology, she investigates how pregnancy, childbirth, and early motherhood reshape the brain, body, emotions, and sense of identity. Blending scientific research with her own experiences of motherhood, Jones challenges the idealised image of maternal bliss. She examines exhaustion, ambivalence, identity loss, and the immense pressures placed on mothers by a society that often undervalues caregiving while expecting women to do it all. Both deeply personal and scientifically informed, Matrescence offers a new language for understanding the transformation of becoming a parent. It asks why such a universal experience has been so overlooked—and what might change if motherhood were better understood, supported, and valued. The book was longlisted for the 2024 Women’s Prize for Non-Fiction.

What did feminism mean to our mothers—and how does their understanding of womanhood shape the lives of their daughters? In this moving collection of essays, women from Pakistan reflect on their mothers’ experiences of marriage, motherhood, tradition, resistance, and independence. Some mothers marched for women’s emancipation in the 1980s; others challenged social expectations through quieter, everyday acts of self-determination. Their daughters inherit both the freedoms they fought for and the limitations they could not escape. Exploring the tensions between generations, cultural expectations, and evolving ideas of feminism, this collection offers a nuanced portrait of Pakistani women’s lives and the complicated love that binds mothers and daughters.

Can a woman nurture both her children and her creative ambitions without sacrificing part of herself? Blending memoir, biography, and art criticism, Catherine Ricketts explores the complicated relationship between motherhood and artistic expression. Through her own experiences and the lives of remarkable women—including Toni Morrison, Joan Didion, Ruth Asawa, and Alice Neel—she examines how pregnancy, caregiving, grief, and domestic responsibilities shape the creative process. Thoughtful and deeply compassionate, this book challenges the idea that motherhood and ambition must compete, celebrating the women who continue to create despite the limitations imposed on their time, bodies, and freedom.

In Puerto Rico, Maricarmen dreams of escaping the limitations of her working-class neighbourhood, el Caserío. At seventeen, she falls in love with Rey el Cantante, a charismatic local musician whose generosity makes him a hero to some residents and a target for the police. Their relationship defies her family’s expectations, and Maricarmen soon finds herself building a life with Rey, raising their daughter, Nena, and caring for his younger brother. But addiction, violence, and painful betrayals gradually threaten the family she has fought to protect. Fifteen years later, a murder investigation forces Maricarmen and Nena to confront the consequences of their shared past. As Nena struggles with grief and explores her sexual identity, mother and daughter must navigate their complicated relationship and a community divided by loyalty, prejudice, and loss. Spanning generations, This Is the Only Kingdom is an intimate portrait of family, belonging, and survival, exploring how love can sustain people even as inherited wounds threaten to tear them apart.

Two women, separated by a generation, struggle to reconcile love, family expectations, and the desire to live freely. In 1980s Kinshasa, teenage Mira falls in love with a poor singer, defying her ambitious family and setting in motion events that will shape her future across continents. Two decades later, in London, her daughter Bijoux hides her relationship with a woman behind the obedient persona expected of her by her strict Pentecostal aunt. As their stories intertwine, both women must confront inherited wounds, cultural traditions, and the meaning of home. Tender and emotionally powerful, this intergenerational family saga explores queer love, migration, motherhood, and the courage to break free from the past.

Sometimes, the family that saves us is the one we never expected to find. When Paulette arrives in England as a young girl, she leaves behind the grandmother who calls her Sweet Pea and teaches her that love and forgiveness should guide her life. Years later, at twenty-nine, Paulette seems close to everything she has dreamed of: a loving partner, a child, and a home of her own. But when tragedy shatters her plans, she is left to navigate grief and motherhood while trying to build a future for herself and her son, Bird. Then an unexpected encounter brings her face-to-face with Frank, the man responsible for the accident that killed the man she loved. Frank is struggling to raise his own young grandson, Nellie, alone. Despite the pain connecting their lives, Paulette finds herself drawn into the boy’s world, offering him the care and tenderness he desperately needs. As the children grow and the two families become intertwined, Paulette must confront the complicated boundaries between anger and compassion, justice and forgiveness. Set in 1970s England, Sweet Pea is a tender, emotionally rich story about motherhood, migration, grief, and the unexpected ways love can transform a life. It asks whether forgiveness means forgetting the past—or finding the strength to make room for something new.

Spanning generations and continents, The Strangling Fig explores the lasting impact of grief, family secrets, and inherited trauma on the lives of women in one Muslim family. Hyderabad, 1946: Ashraf is a young girl when her father is murdered on the eve of the Partition of British India. His death transforms her relationship with her mother, leaving Ashraf emotionally isolated and searching for the affection she can no longer find at home. As she grows older, the wounds of her childhood shape her choices in love, marriage, and motherhood, influencing her relationship with her own daughter. California, 2002: Sixteen-year-old Seher feels abandoned by her mother and struggles to find a place for herself. When she begins seeing the ghost of her grandmother, Ashraf, she finds the guidance and emotional connection she has been missing. But as Seher becomes increasingly dependent on this supernatural presence, she discovers that the bond offers comfort at a troubling cost. Moving between India and the United States, Musa weaves together the experiences of women separated by generations but connected by family history and unresolved pain. Blending family drama with elements of magical realism, the novel examines how loss and emotional wounds can be passed from mother to daughter—and whether understanding the past can help break the cycle.