Short Stories

Set in the pleasure district of Meiji-era Japan, Troubled Waters (Nigorie) portrays the troubled life of Oriki, a popular courtesan at the Kikunoi establishment. Beautiful and admired by her customers, Oriki conceals a deep unhappiness rooted in poverty, social exclusion, and the limited choices available to women in her position. Her past is intertwined with Genshichi, a former customer whose obsessive devotion to her has cost him his business and left his wife and child in desperate circumstances. Although Oriki has begun seeing another wealthy patron, she remains haunted by the consequences of her earlier relationship. Through fragmented conversations and shifting perspectives, Higuchi gradually reveals the emotional burdens carried by Oriki and those around her. The story examines the destructive effects of poverty, the unequal power dynamics between men and women, and the social structures that trap individuals in seemingly inescapable circumstances. With psychological subtlety and compassion, Higuchi gives voice to people marginalized by respectable society. Troubled Waters remains a powerful portrait of female vulnerability and the human cost of a world in which economic hardship and social expectations constrain personal freedom. Publication note: The original Japanese story, Nigorie, appeared in 1895. English translations have been published under several titles, including Muddy Bay (1958) and Troubled Waters (1981). A new translation by Bryan Karetnyk is included in a 2026 collection of Higuchi’s stories published by Pushkin Press.

In Facing the Bridge, Yoko Tawada brings together three surreal, interconnected tales that challenge conventional ideas of identity, language, and belonging. Moving between Japan, Germany, Vietnam, and the Canary Islands, these stories follow characters whose lives are shaped by cultural displacement, unexpected encounters, and the strange instability of the world around them. In one tale, Amo, an African boy kidnapped and brought to Europe, and Tamao, a Japanese exchange student in Germany, inhabit different historical periods yet find themselves pursued by the same mysterious shadow. Another follows Kazuko, a young Japanese woman whose journey to Vietnam begins with a mysterious postcard and develops into an unsettling exploration of identity. In the third, an unnamed translator retreats to the Canary Islands, where her attempt to interpret a text becomes entangled with banana groves, literary references, and strange encounters. With dreamlike logic, playful language, and unexpected transformations, Tawada blurs the boundaries between cultures, histories, and realities. The collection explores what happens when familiar categories of nationality, language, and selfhood begin to dissolve. Rather than presenting identity as something fixed, these stories suggest that it is continually reshaped through encounters with other people, places, and languages.