Essays

When contemporary Irish poet Doireann Ní Ghríofa discovers the extraordinary work of eighteenth-century poet Eibhlín Dubh Ní Chonaill, she becomes captivated by the woman’s life and the grief that inspired her most famous poem. After discovering her husband’s murdered body, Eibhlín drank his blood and composed a devastating lament that would survive for centuries. Determined to recover the details of a life that history has largely erased, Ní Ghríofa embarks on a literary investigation that becomes deeply intertwined with her own experiences of pregnancy, motherhood, and domestic life. Moving between past and present, A Ghost in the Throat blends memoir, literary criticism, and historical research to explore female creativity, the silencing of women’s voices, and the intimate connections that can form between women separated by centuries. It is a lyrical meditation on grief, desire, motherhood, and the transformative power of discovering another woman’s story.

What can a face tell us about a person—and how often do we mistake what we see for the truth? In this thought-provoking collection of essays, Zambian writer and scholar Namwali Serpell examines the cultural assumptions we attach to human faces, questioning why we associate appearance with identity, beauty, authenticity, and moral worth. Moving between literature, cinema, philosophy, and digital culture, Serpell explores a fascinating range of faces: those marked by disability, those that challenge racial categorisation, the faces of the dead, and even the expressive faces we create through emojis. She considers figures such as Joseph Merrick, known as the Elephant Man, and examines how society turns unfamiliar appearances into objects of fascination, fear, or pity. With intellectual curiosity, wit, and a playful approach to serious questions, Serpell challenges readers to reconsider the instinct to interpret other people through their appearance. Stranger Faces ultimately invites us to embrace ambiguity and imagine a more compassionate way of seeing one another—one that does not demand that every face conform to our expectations.

Memories of Distant Mountains is a collection of illustrated notebooks and personal reflections by Nobel Prize-winning author Orhan Pamuk, offering an intimate glimpse into his creative and everyday life. Combining handwritten notes, sketches, paintings, and observations, Pamuk moves between memories of his childhood in Istanbul, reflections on his family, and thoughts about the places, people, and experiences that have shaped his imagination. The book reveals the relationship between writing and visual art in Pamuk’s creative process, showing how drawings and brief observations can capture moments that conventional storytelling might overlook. His notebooks also explore solitude, memory, urban life, and the passage of time, often returning to Istanbul as both a physical place and an enduring source of inspiration. Blending autobiography, travel writing, and artistic meditation, the collection offers readers access to the private world behind Pamuk’s novels. It is a reflection on how creativity emerges from paying attention to ordinary experiences and transforming fleeting impressions into lasting forms of expression.

On a summer Friday in Dublin, office worker Cathal watches the hours pass, looking forward to the weekend. Yet his thoughts keep returning to Sabine, the French woman he was once engaged to—and to the small moments and disagreements that destroyed their relationship. As the evening unfolds, details of their time together reveal a troubling portrait of a man whose rigid expectations and lack of generosity gradually undermine the possibility of love. The 2023 collection brings together three stories: So Late in the Day, The Long and Painful Death, and Antarctica. Across these unsettling encounters, Claire Keegan examines the power dynamics between women and men, exposing how entitlement, indifference, and the threat of violence can shape intimate relationships. With extraordinary precision and emotional restraint, she finds profound meaning in ordinary conversations and seemingly insignificant gestures. The result is a quietly devastating exploration of gender, intimacy, and the harm people can inflict without ever recognising themselves as cruel.

Becoming a mother changes you in ways that are far deeper than most people ever explain. But what if this transformation were understood not simply as a life event, but as a profound biological, psychological, and social metamorphosis? In Matrescence, journalist Lucy Jones explores the extraordinary transition into motherhood, drawing parallels with adolescence. Through neuroscience, evolutionary biology, psychology, and sociology, she investigates how pregnancy, childbirth, and early motherhood reshape the brain, body, emotions, and sense of identity. Blending scientific research with her own experiences of motherhood, Jones challenges the idealised image of maternal bliss. She examines exhaustion, ambivalence, identity loss, and the immense pressures placed on mothers by a society that often undervalues caregiving while expecting women to do it all. Both deeply personal and scientifically informed, Matrescence offers a new language for understanding the transformation of becoming a parent. It asks why such a universal experience has been so overlooked—and what might change if motherhood were better understood, supported, and valued. The book was longlisted for the 2024 Women’s Prize for Non-Fiction.

What does it mean to witness someone else’s suffering—and what responsibility comes with seeing the truth? Set in contemporary New York City, Witness brings together ten stories about people caught between the desire to care for one another and the uncomfortable truths that make connection difficult. A young girl tries to navigate tensions within her family as the home she knows faces an uncertain future. A man struggles with memories he cannot escape. A woman living with the aftermath of violence searches for a way forward. Across these lives, ordinary encounters become moments of revelation, exposing the quiet decisions that can shape a family, a friendship, or an entire community. Jamel Brinkley writes about the spaces between people: the affection that survives disappointment, the secrets that fracture trust, and the moments when silence becomes its own kind of betrayal. His characters are neither wholly innocent nor easily condemned; they are human, complicated, and often uncertain about what doing the right thing actually requires. Tender, unsettling, and deeply observant, Witness explores grief, belonging, inequality, and the moral weight of looking away. It asks whether truly seeing another person is enough—or whether we must also find the courage to act.

When Mako Yoshikawa learns that her estranged father has died on the eve of her wedding, she is overwhelmed by grief, guilt, and unanswered questions. Shoichi Yoshikawa was a brilliant Japanese physicist and nuclear fusion researcher whose life was marked by extraordinary intellectual ambition, bipolar disorder, alcoholism, and episodes of violence toward his family. Although Mako loved him, she eventually cut him out of her life, unable to reconcile his brilliance and generosity with the pain he caused. After his death, she begins investigating his past, exploring his childhood in prewar Japan, his experiences as an immigrant in America, and the secrets that shaped his identity. Through personal memories, family stories, and historical research, she confronts the complicated relationship between mental illness and responsibility, love and abuse, and the desire to understand someone who has caused profound harm. Intimate and deeply reflective, Secrets of the Sun is a memoir about family trauma, cultural displacement, and the difficult search for understanding when reconciliation is no longer possible.

Raised by ambitious Korean immigrant parents in Texas, Hyeseung Song grows up believing that achievement is the price of acceptance. She earns her place at an Ivy League university, striving to embody the model minority ideal while struggling with depression, family expectations, and a fractured sense of belonging. But when academic success and parental approval can no longer sustain her, she faces a painful reckoning with the life she has been taught to pursue. Through mental illness, a psychiatric hospitalization, and her eventual embrace of painting, Song begins to reclaim her identity beyond the expectations imposed on her. Docile is an unflinching memoir about the cost of perfection, the complexities of mother-daughter relationships, and the courage to build a life that feels authentically one’s own.

What did feminism mean to our mothers—and how does their understanding of womanhood shape the lives of their daughters? In this moving collection of essays, women from Pakistan reflect on their mothers’ experiences of marriage, motherhood, tradition, resistance, and independence. Some mothers marched for women’s emancipation in the 1980s; others challenged social expectations through quieter, everyday acts of self-determination. Their daughters inherit both the freedoms they fought for and the limitations they could not escape. Exploring the tensions between generations, cultural expectations, and evolving ideas of feminism, this collection offers a nuanced portrait of Pakistani women’s lives and the complicated love that binds mothers and daughters.

Can a woman nurture both her children and her creative ambitions without sacrificing part of herself? Blending memoir, biography, and art criticism, Catherine Ricketts explores the complicated relationship between motherhood and artistic expression. Through her own experiences and the lives of remarkable women—including Toni Morrison, Joan Didion, Ruth Asawa, and Alice Neel—she examines how pregnancy, caregiving, grief, and domestic responsibilities shape the creative process. Thoughtful and deeply compassionate, this book challenges the idea that motherhood and ambition must compete, celebrating the women who continue to create despite the limitations imposed on their time, bodies, and freedom.

An unnamed Turkish writer embarks on a restless journey across Europe, following the lives and deaths of three writers who have profoundly shaped her imagination: Cesare Pavese, Franz Kafka, and Italo Svevo. Travelling through Berlin, Prague, Vienna, Zagreb, and other cities, she seeks out the places where they lived, wrote, and died, hoping to understand the connection between literature, suffering, and the desire to live. But this is no ordinary literary pilgrimage. Moving between memories, encounters with lovers, and reflections on her own troubled past, the narrator questions marriage, sexuality, political repression, and the expectations society imposes on women. Her travels become an attempt to escape the confines of her former life and discover a freedom that has always seemed just beyond reach. Blurring the boundaries between autobiography, travel writing, and fiction, Journey to the Edge of Life is an intense meditation on loneliness, mortality, and the search for meaning. Tezer Özlü transforms the European landscape into a map of her inner world, revealing how the lives of writers we admire can become inseparable from our own search for identity and freedom.

What remains of an empire long after its subjects have scattered across the world? In this illuminating work of historical research, Julia Stephens traces the lives of Indian migrants who travelled across the British Empire, uncovering the intimate stories hidden in colonial records, family photographs, heirlooms, and forgotten archives. From the Indian Ocean to Malaya, Zanzibar, South Africa, and beyond, she follows generations of families whose experiences challenge conventional narratives of migration and belonging. Combining archival discoveries with interviews and contemporary family histories, Stephens reveals how colonialism continues to shape identity, memory, and the ways descendants understand their past. A compelling exploration of the human stories behind empire, Worldly Afterlives reimagines history through the lives of those too often left out of its official records.