Books from Uganda

Set across several centuries of Ugandan history, Kintu is an ambitious family saga that reimagines the history, mythology, and cultural traditions of the Buganda kingdom. The story begins in 1750, when Kintu Kidda, a powerful provincial governor, travels to the capital to pledge allegiance to the new king. During the journey, a tragic incident sets a curse in motion, bringing suffering to his descendants for generations. Centuries later, members of the Kintu family struggle with personal tragedies, fractured relationships, and unexplained misfortunes. As they confront their shared history, they must decide whether their suffering stems from an ancestral curse, historical circumstances, or the unresolved conflicts passed down through generations. Blending Ugandan oral traditions, mythology, spirituality, and historical storytelling, Makumbi challenges conventional approaches to African history. The novel places indigenous Ugandan perspectives at its centre, exploring how colonialism, religious change, and modernisation have transformed cultural identity. It is both a multigenerational family epic and a powerful exploration of the relationship between personal memory and national history.

Set in Uganda in the 1970s, during the dictatorship of Idi Amin, The First Woman follows Kirabo, a curious and strong-willed twelve-year-old girl growing up in the rural village of Nattetta. Raised by her grandparents and surrounded by a large extended family, Kirabo enjoys a relatively comfortable childhood, yet she is troubled by one unanswered question: who is her mother, and why did she leave? As she enters adolescence, she also begins to sense a rebellious side of herself that conflicts with the obedient girl her family expects her to be. Determined to uncover the truth about her origins, Kirabo seeks the help of Nsuuta, an older woman regarded by the village as a witch. Through their conversations, Nsuuta introduces her to Baganda folklore and the legend of the “first woman”—an original, independent female spirit that exists before society imposes its restrictions on women. These stories challenge Kirabo’s understanding of femininity and encourage her to question the traditions that govern her life. Blending Ugandan mythology, family secrets, and the realities of life under political dictatorship, Makumbi explores motherhood, female sexuality, cultural identity, and the expectations imposed on women across generations. Kirabo’s journey becomes a powerful coming-of-age story about discovering who she is beyond the roles assigned to her. The novel celebrates women’s resilience, ancestral knowledge, and the possibility of redefining traditions to create a more liberated future.

Set in Uganda during the 1970s, under the rule of Idi Amin, A Girl Is a Body of Water follows Kirabo, a curious and independent twelve-year-old girl growing up in the rural village of Nattetta. Raised by her grandparents and surrounded by a large extended family, she has a comfortable childhood, yet one question haunts her: who is her mother? Although her father occasionally visits from Kampala, nobody in the family is willing to speak openly about the woman who gave birth to her. Determined to uncover the truth, Kirabo turns to Nsuuta, an older woman whom the village regards as a witch. Through their conversations, Nsuuta introduces her to the stories and spiritual traditions of the Baganda people, helping her understand her own rebellious nature. She teaches Kirabo about the idea of the “first woman”—a powerful, independent female state that existed before society imposed restrictions on women’s freedom. As Kirabo grows older, she must reconcile this sense of inner strength with the expectations placed on girls by family, tradition, and community. Blending Ugandan folklore, mythology, and the experiences of women across generations, Makumbi explores motherhood, female identity, and the ways patriarchal traditions shape women’s lives. Against the backdrop of a country experiencing political turmoil, Kirabo’s personal journey becomes a broader exploration of how women preserve their voices and independence in a society that often seeks to silence them. The novel celebrates the power of storytelling, ancestral knowledge, and female solidarity in shaping a different future.

In 1972, Ugandan Asians are given just ninety days to leave the country under President Idi Amin’s expulsion order. For Asha and Pran, newly married and working to secure their future, the decree means abandoning the family business and the life they have built. Pran’s mother, Jaya, must also leave the home she has known for decades. As violence escalates in Kampala and people begin disappearing, the family faces an uncertain journey to Britain, where refuge does not necessarily mean belonging. Arriving in a country that feels unfamiliar, they must rebuild their lives while carrying the emotional weight of everything they have lost. But their struggle is complicated by a devastating secret surrounding their expulsion—one that threatens to fracture the family just when they need one another most. Moving between the green hills of Kampala and the terraced streets of London, Kololo Hill explores displacement, family loyalty, and the meaning of home. Inspired by the history of Uganda’s Asian community and the author’s own family heritage, this moving novel reveals how political upheaval can reshape lives across generations.

In 1960s Uganda, Hasan is struggling to rebuild his life after the death of his wife. Just as he begins to find his footing, political upheaval and rising racial prejudice threaten everything he has worked for. As a member of Uganda’s South Asian community, Hasan faces an uncertain future in a country his family has long called home. The political climate deteriorates further under Idi Amin’s regime, which ultimately forces many South Asians to leave Uganda. Decades later, in London, Sameer appears to have everything: a successful career as a lawyer and the future he once dreamed of. Yet beneath his achievements lies a persistent sense of emptiness. An unexpected family tragedy draws him back into his family’s history, revealing the sacrifices, losses, and unanswered questions that shaped his identity. Moving between generations and continents, We Are All Birds of Uganda explores displacement, racial prejudice, inherited trauma, and the complicated meaning of belonging. Through Hasan and Sameer’s intertwined stories, Hafsa Zayyan examines how migration reshapes families and how the past continues to influence those who inherit its consequences.

In 1898, thirteen-year-old Pirbhai leaves his village in India, lured by the promise of work in East Africa. Instead, he is forced into labour on the British railway, where a desperate act committed in the name of survival becomes a secret that will haunt his descendants for generations. Years later, Pirbhai builds a family with Sonal in Uganda. Their children and grandchildren grow up amid the final years of British colonial rule, the country’s struggle for independence, and the political turmoil that follows. Among the next generation are three sisters, each with her own ambitions and understanding of what it means to belong. When Idi Amin orders Uganda’s Asian population to leave in 1972, the family is scattered across continents, carrying with them the memories, silences, and secrets of their past. Spanning more than a century and moving between India, East Africa, and Canada, A History of Burning traces how one act of survival reverberates through generations. Janika Oza weaves together colonial exploitation, political upheaval, family loyalty, and the search for home in an intimate multigenerational saga about the stories families preserve—and those they struggle to forget.