Books from Türkiye

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Madonna in a Fur Coat
Madonna in a Fur Coat
Madonna in a Fur Coat tells the story of Raif Efendi, a quiet and seemingly unremarkable man whose inner life is revealed through a diary discovered by a colleague. The diary recounts his time in 1920s Berlin, where he meets Maria Puder, an independent and unconventional artist whose portrait captivates him. As their relationship develops, Raif experiences a profound and transformative love that challenges his understanding of himself and human connection. Through themes of loneliness, vulnerability, and emotional restraint, Sabahattin Ali portrays the tragedy of unexpressed feelings and the distance between a person’s outward appearance and inner world. The novel is a poignant reflection on love, missed opportunities, and the lasting impact of a brief but defining relationship.
2020
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The Museum of Innocence
The Museum of Innocence
Istanbul, 1975. Kemal, the privileged son of a wealthy family, is preparing to marry Sibel, a woman who belongs to his own sophisticated social circle. But a chance encounter with Füsun, a beautiful young shop assistant and distant relative, sets his carefully ordered life on an unexpected course. Their passionate affair soon becomes complicated by social conventions, class divisions, and the expectations placed on women in a rapidly modernising Turkey. When Füsun disappears from his life, Kemal begins collecting objects connected to her: earrings, hair clips, cigarette butts, and countless other seemingly insignificant things. Each item becomes a vessel for memory, allowing him to preserve moments that time would otherwise erase. Over the years, his collection grows into an extraordinary personal museum, reflecting both his devotion and his inability to let go. Spanning decades of Istanbul’s social and cultural transformation, The Museum of Innocence is a richly layered exploration of love, obsession, memory, and longing. Nobel Prize-winning author Orhan Pamuk transforms ordinary objects into fragments of a vanished world, asking whether preserving the past can bring happiness—or merely keep us imprisoned within it.
2008