Books from Türkiye

Dilara, a Turkish exile living in a small Italian town, is struggling to care for her father, whose memories are gradually disappearing as dementia takes hold. Preparing to welcome him into her home, she commissions a renovation to make the apartment more comfortable. But when the builders finish, she discovers that her new bathroom has been transformed into a Turkish prison cell, complete with guards and prisoners. What initially seems like an absurd mistake soon becomes a mysterious connection to the homeland Dilara left behind. Through the cell, she encounters echoes of Istanbul, her family’s painful past, and the political violence that forced them into exile. As her domestic life begins to unravel, the prison becomes an unexpected gateway to memories she can neither fully recover nor escape. Blending surrealism, dark humour, and political allegory, The Renovation explores exile, belonging, family, and the ways political oppression and personal grief can imprison us long after we have crossed borders.

Three Daughters of Eve follows Peri, a wealthy Turkish woman whose apparently comfortable life in Istanbul conceals unresolved questions about faith, identity, and personal responsibility. During a dinner party years after her university studies at Oxford, a photograph unexpectedly brings back memories of her time there in the 1990s. As a student, Peri became involved with a charismatic professor who encouraged his pupils to debate religion and belief. Her friendships with two fellow students—one deeply religious and the other firmly atheist—exposed her to conflicting ideas about spirituality, feminism, and freedom. Their relationships eventually culminated in an incident that Peri has struggled to understand ever since. Shafak explores the tension between faith and doubt, the influence of family and culture, and the difficulty of forming an independent worldview in a politically divided society.

The Bastard of Istanbul centres on two young women whose lives connect through a complicated family history shaped by Turkish and Armenian experiences. Asya Kazancı grows up in Istanbul in a household dominated by women, surrounded by family secrets and conflicting interpretations of the past. Meanwhile, Armanoush, an Armenian American teenager, travels secretly to Istanbul in search of her cultural roots and a better understanding of her family’s history. When the two meet, their friendship brings buried memories and long-suppressed truths to the surface, particularly those connected to the Armenian genocide and its legacy. Through humour, food, family relationships, and competing memories, Shafak examines the relationship between personal identity and collective history. The novel explores how silence and denial can shape generations, while asking whether individuals can build meaningful connections across cultural and historical divisions.

Set in sixteenth-century Istanbul during the Ottoman Empire, My Name Is Red follows a group of miniature painters commissioned to create an illustrated book for the sultan. Their work becomes controversial because it incorporates European artistic techniques that challenge traditional Islamic approaches to representation. When one of the artists is murdered, the investigation exposes rivalries, jealousy, and competing ideas about art, religion, and cultural identity. The story unfolds through multiple narrators, including artists, objects, and even a corpse, creating a complex picture of a society caught between established traditions and new influences. Pamuk explores the relationship between artistic expression and political authority, asking whether adopting foreign ideas represents progress or the loss of cultural heritage. The novel combines a murder mystery with a philosophical examination of how people understand themselves through art and tradition.