Books from China

Set against the political and cultural upheavals of the late eighteenth and nineteenth centuries, Yiyun Li’s sweeping historical novel follows two gifted musicians whose ambitions take them across continents. John Field, born in Dublin in 1782, is a musical prodigy whose father dreams of making him the next Mozart. His talent carries him from Ireland to England, France, and eventually Russia, where he becomes a celebrated pianist and composer. He helps popularize the nocturne, a musical form later associated most famously with Frédéric Chopin. Meanwhile, in Pondicherry, French India, Adelaide Percheron—an orphan raised by her formidable grandmother—discovers her own passion for music. Determined to escape the limitations imposed by her circumstances, she pursues opportunities in Paris and Moscow, striving to build a life beyond the expectations placed upon women of her time. When their paths eventually converge, John and Adelaide must navigate the complexities of marriage, artistic ambition, and competing desires. Through their intertwined lives, Li examines the price of genius, the exploitation of talent, and the fragile boundary between artistic achievement and personal fulfilment. The novel asks what artists must sacrifice for recognition—and whether their work can outlive the people who create it.

How does a society innovate when resources are scarce? In Chinese Media Improvisations: Thriving on Deficits, scholar Xuenan Cao offers a fresh perspective on China’s technological development, examining how shortages, political pressures, and material constraints have shaped the country’s media and technological imagination. Moving across several periods of Chinese history, Cao explores the printing shortages of Mao’s Great Leap Forward, the challenges of modernising China’s railway infrastructure, early experiments in information theory when computers were unavailable, and contemporary attempts to incorporate artificial intelligence into urban life. These seemingly disparate episodes reveal a recurring pattern: people adapt existing tools, improvise unconventional solutions, and transform limitations into opportunities for experimentation. Drawing on archival documents, newspapers, scientific publications, and literary works, Cao combines historical research with media theory to challenge assumptions about technological progress that originate in Western scholarship. The result is an interdisciplinary study of creativity, scarcity, and innovation that illuminates how China’s distinctive historical and political circumstances have shaped its relationship with technology.