Miljenko Jergović

In Inshallah, Madonna, Inshallah, Croatian-Bosnian writer Miljenko Jergović draws on the rich oral traditions, folk songs, and legends of Bosnia to create a collection of nineteen stories in which ordinary lives take on the dimensions of myth. Inspired by the music that filled the streets, cafés, and homes of Sarajevo during the author’s childhood, the stories imagine the extraordinary events and forgotten histories that might lie behind traditional songs. Jergović’s characters inhabit a world where miracles seem possible, fate shapes human destinies, and misfortune can transform individuals into enduring legends. Christians and Muslims share a landscape marked by centuries of cultural exchange, imperial domination, and conflict. Their stories are sometimes comic, sometimes brutal, but always deeply connected to the collective memory of the region. Moving between folklore, historical imagination, and intimate portraits of human experience, Jergović explores how communities preserve their identities through storytelling. The collection offers a vivid literary portrait of the Balkans, revealing how individual lives become part of a larger cultural inheritance that survives across generations.