Elif Shafak

A Greek Cypriot boy and a Turkish Cypriot girl fall in love in 1970s Cyprus, meeting secretly beneath a fig tree in a tavern as ethnic tensions threaten to tear their world apart. Decades later, in London, their daughter Ada struggles with grief and a past her parents have never fully revealed. As family secrets emerge, a fig tree growing in their garden becomes a living connection to a homeland left behind. Narrated partly through the tree itself, this moving novel explores displacement, inherited trauma, forbidden love, and the fragile bonds between people, nature, and memory.

Set in the sixteenth-century Ottoman Empire, The Architect’s Apprentice follows Jahan, a twelve-year-old boy who arrives in Istanbul with Chota, an extraordinary white elephant intended for the sultan’s menagerie. As Jahan becomes involved in palace life, he encounters the celebrated imperial architect Mimar Sinan, who eventually takes him under his wing. Jahan enters a world of magnificent buildings, political intrigue, artistic ambition, and dangerous rivalries among the architect’s apprentices. As he grows older, his experiences expose him to the contradictions of an empire where beauty and intellectual achievement coexist with cruelty, jealousy, and the struggle for power. Shafak combines historical detail with an imaginative coming-of-age story, exploring loyalty, creativity, and the desire to find one’s place in the world. The novel celebrates architecture as both an artistic achievement and a lasting expression of human imagination.

The Bastard of Istanbul centres on two young women whose lives connect through a complicated family history shaped by Turkish and Armenian experiences. Asya Kazancı grows up in Istanbul in a household dominated by women, surrounded by family secrets and conflicting interpretations of the past. Meanwhile, Armanoush, an Armenian American teenager, travels secretly to Istanbul in search of her cultural roots and a better understanding of her family’s history. When the two meet, their friendship brings buried memories and long-suppressed truths to the surface, particularly those connected to the Armenian genocide and its legacy. Through humour, food, family relationships, and competing memories, Shafak examines the relationship between personal identity and collective history. The novel explores how silence and denial can shape generations, while asking whether individuals can build meaningful connections across cultural and historical divisions.