Horror

Exit Zero is a collection of twelve surreal and imaginative short stories that explore the strange, often unsettling experiences of ordinary people. Blending magical realism, dark humour, and reflections on mortality, Marie-Helene Bertino creates worlds where the boundaries between everyday life and the extraordinary begin to dissolve. In the title story, Jo returns to her estranged father’s home after his death and discovers that she has inherited an unexpected companion: a unicorn living in the backyard. Elsewhere, former lovers fall mysteriously from the sky, gardens become sites of communication between the living and the dead, and familiar objects take on uncanny significance. Beneath the collection’s fantastical premises lies a thoughtful exploration of loneliness, family relationships, grief, and the difficulty of navigating an unpredictable world. Bertino’s stories invite readers to look beyond the apparent absurdity of everyday existence and consider the connections, losses, and moments of wonder that give life meaning.

Natural Beauty follows a talented young pianist whose promising musical career is interrupted when an accident leaves her Chinese immigrant parents unable to care for themselves. Forced to abandon her ambitions, she takes a job at Holistik, an exclusive beauty and wellness store in New York City that caters to wealthy customers seeking increasingly extreme forms of physical perfection. As she becomes immersed in this glamorous world, she discovers an industry where experimental treatments promise to reshape bodies, erase imperfections, and transform people’s appearances. Her growing fascination with Helen, the niece of the store’s charismatic owner, further draws her into a world of privilege, desire, and manipulation. Yet beneath the seductive promises of self-improvement lies something deeply disturbing.

When Ikemefuna, a young Nigerian dancer, boards a plane from Lagos to Texas, she imagines a new life filled with opportunity, freedom, and the promise of a happy marriage. Instead, she finds herself trapped in the home of her new husband’s parents, where her movements are controlled, her independence stripped away, and the pressure to produce a male heir grows increasingly intense. Her husband, Nna, initially struggles to reconcile his self-proclaimed feminist beliefs with his family’s expectations. As secrets emerge and the household becomes increasingly suffocating, the boundaries between victim and perpetrator, tradition and cruelty, begin to blur. Ikemefuna’s apparent obedience conceals something far more complicated, and the family’s carefully maintained facade begins to unravel. Blending domestic thriller, psychological horror, and Nigerian diasporic fiction, House Woman explores patriarchal power, forced marriage, intergenerational trauma, and the devastating consequences of silencing women. It also questions whether moving to another country necessarily brings freedom when oppressive social structures travel with you.

In In the Dream House, Carmen Maria Machado explores an abusive same-sex relationship through a blend of memoir, cultural criticism, and experimental storytelling. She examines the complexities of love, trauma, and memory while challenging the silence surrounding abuse in LGBTQ+ relationships.

Set in the American Southwest and northern Mexico during the 1840s, Blood Meridian follows a nameless teenager known as the Kid as he joins a violent band of scalp hunters operating along the frontier. The group, led by the ruthless Captain Glanton and accompanied by the enigmatic Judge Holden, travels through landscapes marked by poverty, conflict, and brutality. Their journey exposes the violence underpinning territorial expansion and the mythology of the American West. McCarthy’s stark, biblical prose transforms the frontier into a world where cruelty seems almost elemental and human life is treated as expendable. The novel challenges romantic ideas of conquest and civilisation, exploring violence as both a historical force and a disturbing aspect of human existence.