Feminist Fiction

Asian American mothers are often reduced to a familiar stereotype: strict, demanding parents obsessed with their children’s academic success. In Not Tiger Moms, sociologist Miliann Kang challenges this narrow narrative, revealing how racism and xenophobia shape perceptions of Asian American motherhood. Drawing on candid interviews with mothers born or raised primarily in the United States, Kang explores the pressures they face as they navigate parenting, cultural identity, education, work, and belonging. Their stories reveal lives far more complex than the stereotypes allow, exposing the contradictions between being seen as a model minority and being treated as perpetual outsiders. Thoughtful and illuminating, this book reimagines motherhood beyond racial expectations and asks how society might better support mothers in all their diversity.

A disgraced English professor, separated from his wife and forced out of his job, visits an idyllic country house for sale, hoping to begin again. The realtor introduces him to the mysterious Helen, the former owner who built a life close to nature and outside conventional expectations. As the evening unfolds, the viewing becomes a surreal journey through the professor’s resentments, regrets, and carefully constructed sense of self. Philosophical, darkly humorous, and formally inventive, Helen of Nowhere questions the fantasies we build around happiness, freedom, and starting over—and what we must surrender to find a more meaningful life.

Can a woman nurture both her children and her creative ambitions without sacrificing part of herself? Blending memoir, biography, and art criticism, Catherine Ricketts explores the complicated relationship between motherhood and artistic expression. Through her own experiences and the lives of remarkable women—including Toni Morrison, Joan Didion, Ruth Asawa, and Alice Neel—she examines how pregnancy, caregiving, grief, and domestic responsibilities shape the creative process. Thoughtful and deeply compassionate, this book challenges the idea that motherhood and ambition must compete, celebrating the women who continue to create despite the limitations imposed on their time, bodies, and freedom.

Alma lives on a rural Vermont homestead, raising her children, tending animals, and managing a household while her husband teaches at a nearby college. But beneath the rhythms of domestic life, she feels increasingly isolated from the creative ambitions and independent identity she has sacrificed. Her fascination with Celeste, a confident ceramicist whose life seems to embody everything Alma lacks, grows into an unsettling obsession. One night, Alma drives away from home, and her memories reveal the tensions that have brought her to this breaking point. Surreal, darkly funny, and psychologically incisive, The Shame explores motherhood, envy, artistic longing, and the quiet desperation of a life that no longer feels like one’s own.

At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free. These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come. In Wayward Lives, Beautiful Experiments, Saidiya Hartman deploys both radical scholarship and profound literary intelligence to examine the transformation of intimate life that they instigated. With visionary intensity, she conjures their worlds, their dilemmas, their defiant brilliance.