Books from Taiwan

Last Words from Montmartre is an experimental, semi-autobiographical novel told through a series of letters written by a young Taiwanese writer named Zoë. Addressing friends and loved ones, Zoë reflects on her relationships, sexuality, artistic ambitions, and growing sense of alienation while moving between Taiwan and Paris. As her emotional world becomes increasingly unstable, the letters reveal the difficulties of reconciling romantic desire with personal freedom and the longing to be understood by others. Blending fiction, autobiography, philosophical reflection, and intimate confession, Qiu Miaojin explores the complexities of queer identity, heartbreak, and the search for meaning in a world that can feel profoundly isolating. The fragmented structure mirrors the narrator’s shifting emotional states, allowing memories, dreams, and observations to coexist without a conventional narrative progression. Written with remarkable intensity and vulnerability, the novel captures the transformative and sometimes destructive power of love while questioning the boundaries between life, art, and self-expression.

Set in Taiwan in 1938, during Japanese colonial rule, Taiwan Travelogue follows Aoyama Chizuko, a young Japanese novelist invited to undertake a lecture tour of the island. More interested in discovering Taiwan’s culture and cuisine than participating in official colonial events, she travels across the island with her Taiwanese interpreter, Ō Chizuru. Through local dishes, lively conversations, and journeys between towns, the two women develop a close and increasingly complicated relationship. As Chizuko becomes more emotionally attached to her companion, she struggles to understand Chizuru’s reserve and the barriers separating them. Their relationship unfolds against the inequalities of colonial society, where language, nationality, and political power shape even the most intimate connections. Blending historical fiction, romance, food writing, and metafiction, Yáng explores love, cultural identity, and the silenced histories of colonial Taiwan. The novel also challenges readers to consider who has the power to tell a story—and whose perspective history chooses to preserve.