Books from Russia

How did Russia move from presenting itself as a pioneer of women’s emancipation to embracing conservative values and authoritarian rule? In Motherland, journalist Julia Ioffe explores modern Russian history through the lives of the women who experienced, shaped, and survived its transformations. Combining historical research, personal memoir, and investigative journalism, Ioffe traces a century of upheaval, from the revolutionary promises of early Soviet feminism to the hardships of the Second World War and the contradictions of contemporary Russian society. She brings together the stories of her own Jewish-Russian family, feminist revolutionaries, women who fought on the front lines, single mothers who rebuilt their lives after the war, and modern activists challenging political repression. Rather than telling Russia’s story solely through its male rulers, Ioffe places women’s experiences at the centre of the national narrative. She examines how political ideals shaped women’s opportunities, how successive generations carried the burdens of social change, and how the failure of emancipatory promises contributed to the rise of modern authoritarianism. A finalist for the 2025 National Book Award for Nonfiction, Motherland offers a compelling exploration of feminism, power, historical memory, and the complicated relationship between personal lives and national identity.

I Love Russia brings together investigative reporting and personal essays to portray a country through the lives of people often excluded from its official narrative. Journalist Elena Kostyuchenko writes about sex workers, LGBTQ+ people, residents of neglected institutions, and communities affected by violence and political repression. Her reporting also follows the consequences of Russia’s invasion of Ukraine, examining the human realities behind state propaganda and military aggression. Rather than presenting Russia as a single, uniform society, Kostyuchenko reveals its contradictions through the experiences of individuals whose stories challenge dominant political narratives. The book explores the complicated relationship between love for one’s country and the responsibility to criticise its government, presenting journalism as an act of witnessing, resistance, and moral commitment.

The Empire Must Die: Russia’s Revolutionary Collapse, 1900–1917 reconstructs the political and cultural upheavals that preceded the fall of the Russian Empire. Through the lives of writers, artists, politicians, revolutionaries, and members of the imperial family, Mikhail Zygar traces a society caught between the possibility of reform and the persistence of authoritarian power. The book explores Russia’s brief flourishing of liberal ideas, the growing dissatisfaction with the monarchy, and the pressures of the First World War that helped bring the old order to collapse. Drawing on historical research and vivid character portraits, Zygar presents the revolution not as an inevitable event but as the outcome of decisions, rivalries, and missed opportunities that transformed the country’s future.