Jean-Noël Orengo

How does a man implicated in one of history’s greatest atrocities reinvent himself as an innocent bystander? In 1969, Albert Speer—Hitler’s favourite architect and Minister of Armaments—publishes his memoirs, presenting himself as the “good Nazi” who knew nothing about the Holocaust. His carefully constructed narrative helps him escape the full weight of his responsibility and become a bestselling author. But behind this image lies a history of ambition, complicity, and calculated self-deception. Blending historical research with literary fiction, Jean-Noël Orengo reconstructs Speer’s rise, his proximity to Hitler, and his postwar reinvention. The result is a disturbing exploration of how powerful people manipulate memory, reshape their identities, and make fiction more seductive than truth. In an age of competing narratives, the novel asks who gets to control the story of the past.